{"commentary":{"id":"keil-delitzsch","name":"Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary","website":"https://worthy.bible/commentaries/keil-delitzsch-commentary","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","licenseNotes":null,"licenseNotice":null,"englishName":"Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary","language":"eng","textDirection":"rtl","sha256":"bb5cc0f9cfe0a93b3c903bb6972c6bc8c4e9f2bd3be6c2a6d276737cf9c5edce","availableFormats":["json"],"listOfBooksApiLink":"/api/c/keil-delitzsch/books.json","listOfProfilesApiLink":"/api/c/keil-delitzsch/profiles.json","numberOfBooks":39,"totalNumberOfChapters":909,"totalNumberOfVerses":6516,"totalNumberOfProfiles":0,"languageName":"English","languageEnglishName":"English"},"book":{"id":"PSA","commentaryId":"keil-delitzsch","name":"Psalms","commonName":"Psalms","introduction":"The Book of Psalms\n\nIntroduction to the Psalter\n\nΠάντα ὥσπερ ἐν μεγάλῳ τινὶ καὶ κοινῷ ταμιείῳ τῇ βίβλῳ τῶν ψαλμῶν τεθησαύρισται.\n\nBasil\n\n1. Position of the Psalter among the Hagiographa, and More Especially among the Poetical Books\n\nThe Psalter is everywhere regarded as an essential part of the Kethubim or Hagiographa; but its position among these varies. It seems to follow from Luk 24:44 that it opened the Kethubim in the earliest period of the Christina era.\n\n(Note: Also from 2 Macc. 2:13, where τὰ τοῦ Δαυίδ appears to be the designation of the כתובים according to their beginning; and from Philo, De vita contempl. (opp. II 475 ed. Mangey), where he makes the following distinction νόμους καὶ λόγια θεσπισθέντα διὰ προφητῶν καὶ ὕμνους καὶ τὰ ἄλλα οἷς ἐπιστήμη καὶ εὐσέβεια συναύξονται καὶ τελειοῦνται.)\n\nThe order of the books in the Hebrew MSS of the German class, upon which our printed editions in general use are based, is actually this: Psalms, Proverbs, Job, and the five Megilloth. But the Masora and the MSS of the Spanish class begin the Kethubim with the Chronicles which they awkwardly separate from Ezra and Nehemiah, and then range the Psalms, Job, Proverbs and the five Megilloth next.\n\n(Note: In all the Masoretic lists the twenty four books are arranged in the following order: 1) בראשׁית; 2) ואלה שׁמות; 3) ויקרא; 4) וידבר (also במדבר); 5) אלה הדברים; 6) יהושׁע; 7) שׁופטים; 8) שׁמואל; 9) מלכים; 10) ישׁעיה; 11) ירמיה; 12) יחזקאל; 13) תרי עשׂר; 14) דברי הימים; 15) תהלות; 16) איוב; 17) משׁלי; 18) רות; 19) שׁיר השׁירים; 20) קהלת; 21) קינות (איכה); 22) אחשׁורושׁ (מגלה); 23) דניאל; 24) עזרא. The Masoretic abbreviation for the three pre-eminently poetical books is accordingly, not מתא but (in agreement with their Talmudic order) אםת (as also in Chajug'), vid., Elia Levita, Masoreth ha-Masoreth p. 19. 73 (ed. Ven. 1538) ed. Ginsburg, 1867, p. 120, 248.)\n\nAnd according to the Talmud (Baba Bathra 14b) the following is the right order: Ruth, Psalms, Job, Proverbs; the Book of Ruth precedes the Psalter as its prologue, for Ruth is the ancestor of him to whom the sacred lyric owes its richest and most flourishing era. It is undoubtedly the most natural order that the Psalter should open the division of the Kethubim, and for this reason: that, according to the stock which forms the basis of it, it represents the time of David, and then afterwards in like manner the Proverbs and Job represent the Chokma-literature of the age of Solomon. But it is at once evident that it could have no other place but among the Kethubim.\n\nThe codex of the giving of the Law, which is the foundation of the old covenant and of the nationality of Israel, as also of all its subsequent literature, occupies the first place in the canon. Under the collective title of נביאים, a series of historical writings of a prophetic character, which trace the history of Israel from the occupation of Canaan to the first gleam of light in the gloomy retributive condition of the Babylonish Exile (Prophetae priores) is first attached to these five books of the Thra; and then a series of strictly prophetical writings by the prophets themselves which extend to the time of Darius Nothus, and indeed to the time of Nehemiah's second sojourn in Jerusalem under this Persian king (Prophetae posteriores). Regarded chronologically, the first series would better correspond to the second if the historical books of the Persian period (Chronicles with Ezra, Nehemiah, and Esther) were joined to it; but for a very good reason this has not been done. The Israelitish literature has marked out two sharply defined and distinct methods of writing history, viz., the annalistic and the prophetic. The so-called Elohistic and so-called Jehovistic form of historical writing in the Pentateuch might serve as general types of these. The historical books of the Persian period are, however, of the annalistic, not of the prophetic character (although the Chronicles have taken up and incorporated many remnants of the prophetic form of historical writing, and the Books of the Kings, vice versa, many remnants of the annalistic): they could not therefore stand among the Prophetae priores. But with the Book of Ruth it is different. This short book is so like the end of the Book of the Judges (ch. 17-21), that it might very well stand between Judges and Samuel; and it did originally stand after the Book of the Judges, just as the Lamentations of Jeremiah stood after his prophecies. It is only on liturgical grounds that they have both been placed with the so-called Megilloth (Canticles, Ruth, Lamentations, Ecclesiastes, and Esther, as they are arranged in our ordinary copies according to the calendar of the festivals). All the remaining books could manifestly only be classed under the third division of the canon, which (as could hardly have been otherwise in connection with תורה and נביאים) has been entitled, in the most general way, כתובים ,, - a title which, as the grandson of Ben-Sira renders it in his prologue to Ecclesiasticus, means simply τὰ ἄλλα πάτρια βιβλία, or τὰ λοιπὰ τῶν βιβλίων, and nothing more. For if it were intended to mean writings, written ברוח הקדשׁ, - as the third degree of inspiration which is combined with the greatest spontaneity of spirit, is styled according to the synagogue notion of inspiration-then the words ברוח הקדשׁ would and ought to stand with it.\n\n2. Names of the Psalter\n\nAt the close of the seventy-second Psalm (72:20) we find the subscription: \"Are ended the prayers of David, the Son of Jesse.\" The whole of the preceding Psalms are here comprehended under the name תּפלּות. This strikes one as strange, because with the exception of Psa 17:1-15 (and further on Ps 86; 90; 102; Psa 142:1-7) they are all inscribed otherwise; and because in part, as e.g., Psa 1:1-6 and Psa 2:1-12, they contain no supplicatory address to God and have therefore not the form of prayers. Nevertheless the collective name Tephilloth is suitable to all Psalms. The essence of prayer is a direct and undiverted looking towards God, and the absorption of the mind in the thought of Him. Of this nature of prayer all Psalms partake; even the didactic and laudatory, though containing no supplicatory address-like Hannah's song of praise which is introduced with ותתפלל (Sa1 2:1). The title inscribed on the Psalter is תּהלּים (ספר) for which תּלּים (apocopated תּלּי deta) is also commonly used, as Hippolytus (ed. de Lagarde p. 188) testifies: Ἑεβραῖοι περιέγραψαν τὴν βίβλον Σέφρα θελείμ.\n\n(Note: In Eusebius, vi. 25: Σέφηρ Θιλλήν; Jerome (in the Preface to his translation of the Psalms juxta Hebraicam veritatem) points it still differently: SEPHAR THALLIM quod interpretatur volumen hymnorum. Accordingly at the end of the Psalterium ex Hebraeo, Cod. 19 in the Convent Library of St. Gall we find the subscription: Sephar Tallim Quod interpretatur volumen Ymnorum explicit.)\n\nThis name may also seem strange, for the Psalms for the most part are hardly hymns in the proper sense: the majority are elegiac or didactic; and only a solitary one, Ps 145, is directly inscribed תהלה. But even this collective name of the Psalms is admissible, for they all partake of the nature of the hymn, to wit the purpose of the hymn, the glorifying of God. The narrative Psalms praise the magnalia Dei, the plaintive likewise praise Him, since they are directed to Him as the only helper, and close with grateful confidence that He will hear and answer. The verb הלּל includes both the Magnificat and the De profundis.\n\nThe language of the Masora gives the preference to the feminine form of the name, instead of תהלים, and throughout calls the Psalter ספר תהלות (e.g., on Sa2 22:5).\n\n(Note: It is an erroneous opinion of Buxtorf in his Tiberias and also of Jewish Masoretes, that the Masora calls the Psalter הלילא (hallla). It is only the so-called Hallel, Ps 113-119, that bears this name, for in the Masora on Sa2 22:5; Psa 116:3 is called הברו דהלילא (the similar passage in the Hallel) in relation to Psa 18:5.)\n\nIn the Syriac it is styled ketobo demazmûre, in the Koran zabûr (not as Golius and Freytag point it, zubûr), which in the usage of the Arabic language signifies nothing more than \"writing\" (synon. kitâb: vid., on Psa 3:1), but is perhaps a corruption of mizmor from which a plural mezâmir is formed, by a change of vowels, in Jewish-Oriental MSS. In the Old Testament writings a plural of mizamor does not occur. Also in the post-biblical usage mizmorı̂m or mizmoroth is found only in solitary instances as the name for the Psalms. In Hellenistic Greek the corresponding word ψαλμοί (from ψάλλειν = זמּר) is the more common; the Psalm collection is called βίβλος ψαλμῶν (Luk 20:42; Act 1:20) or ψαλτήριον, the name of the instrument (psantêrı̂n in the Book of Daniel)\n\n(Note: Νάβλα - say Eusebius and others of the Greek Fathers - παρ ̓ Ἑβραίοις λέγεται τὸ ψαλτήριον ὃ δὴ μόνον τῶν μουσικῶν ὀργάνων ὀρθότατον καὶ μὴ συνεργούμενον εἰς ἦχον ἐκ τῶν κατωτάτω μερῶν, ἀλλ ̓ ἄνωθεν ἔχων τὸν ὑπηχοῦντα χαλκόν. Augustine describes this instrument still more clearly in Psa 42:1-11 and elsewhere: Psalterium istud organum dicitur quod de superiore parte habet testudinem, illud scilicet tympanum et concavum lignum cui chordae innitentes resonant, cithara vero id ipsum lignum cavum et sonorum ex inferiore parte habet. In the cithern the strings pass over the sound-board, in the harp and lyre the vibrating body runs round the strings which are left free (without a bridge) and is either curved or angular as in the case of the harp, or encompasses the strings as in the lyre. Harps with an upper sounding body (whether of metal or wood, viz., lignum concavum i.e., with a hollow and hence sonorous wood, which protects the strings like a testudo and serves as tympanum) are found both on Egyptian and on Assyrian monuments. By the psalterium described by Augustine, Casiodorus and Isidorus understand the trigonum, which is in the form of an inverted sharp-cornered triangle; but it cannot be this that is intended because the horizontal strings of this instrument are surrounded by a three-sided sounding body, so that it must be a triangular lyre. Moreover there is also a trigon belonging to the Macedonian era which is formed like a harp (vid., Weiss' Kostmkunde, Fig. 347) and this further tends to support our view.)\n\nbeing transferred metaphorically to the songs that are sung with its accompaniment. Psalms are songs for the lyre, and therefore lyric poems in the strictest sense.\n\n3. The History of Psalm Composition\n\nBefore we can seek to obtain a clear idea of the origin of the Psalm-collection we must take a general survey of the course of the development of psalm writing. The lyric is the earliest kind of poetry in general, and the Hebrew poetry, the oldest example of the poetry of antiquity that has come down to us, is therefore essentially lyric. Neither the Epos nor the Drama, but only the Mashal, has branched off from it and attained an independent form. Even prophecy, which is distinguished from psalmody by a higher impulse which the mind of the writer receives from the power of the divine mind, shares with the latter the common designation of נכּא (Ch1 24:1-3), and the psalm-singer, משׁרר, is also as such called חזה (Ch1 25:5; Ch2 29:30; Ch2 35:15, cf. Ch1 15:19 and freq.); for just as the sacred lyric often rises to the height of prophet vision, so the prophetic epic of the future, because it is not entirely freed from the subjectivity of the prophet, frequently passes into the strain of the psalm.\n\nThe time of Moses was the period of Israel's birth as a nation and also of its national lyric. The Israelites brought instruments with them out of Egypt and these were the accompaniments of their first song (Ex 15) - the oldest hymn, which re-echoes through all hymns of the following ages and also through the Psalter (comp. Exo 15:2 with Psa 118:14; Exo 15:3 with Psa 24:8; Exo 15:4, Exo 14:27 with Psa 136:15; Ex 15: with Psa 78:13, Exo 15:11 with Psa 77:14; Psa 86:8; Psa 89:7.; Exo 15:13, Exo 15:17 with Psa 78:54, and other parallels of a similar kind). If we add to these, Ps 90 and Deut 32, we then have the prototypes of all Psalms, the hymnic, elegiac, and prophetico-didactic. All three classes of songs are still wanting in the strophic symmetry which characterises the later art. But even Deborah's song of victory, arranged in hexastichs, - a song of triumph composed eight centuries before Pindar and far outstripping him, - exhibits to us the strophic art approximating to its perfect development. It has been thought strange that the very beginnings of the poesy of Israel are so perfect, but the history of Israel, and also the history of its literature, comes under a different law from that of a constant development from a lower to a higher grade. The redemptive period of Moses, unique in its way, influences as a creative beginning, every future development. There is a constant progression, but of such a kind as only to develope that which had begun in the Mosaic age with all the primal force and fulness of a divine creation. We see, however, how closely the stages of this progress are linked together, from the fact that Hannah the singer of the Old Testament Magnificat, was the mother of him who anointed, as King, the sweet singer of Israel, on whose tongue was the word of the Lord.\n\nIn David the sacred lyric attained its full maturity. Many things combined to make the time of David its golden age. Samuel had laid the foundation of this both by his energetic reforms in general, and by founding the schools of the prophets in particular, in which under his guidance (Sa1 19:19.), in conjunction with the awakening and fostering of the prophetic gift, music and song were taught. Through these coenobia, whence sprang a spiritual awakening hitherto unknown in Israel, David also passed. Here his poetic talent, if not awakened, was however cultivated. He was a musician and poet born. Even as a Bethlehemite shepherd he played upon the harp, and with his natural gift he combined a heart deeply imbued with religious feeling. But the Psalter contains as few traces of David's Psalms before his anointing (vid., on Psa 8:1-9; Psa 144:1-15) as the New Testament does of the writings of the Apostles before the time of Pentecost. It was only from the time when the Spirit of Jahve came upon him at his anointing as king of Israel, and raised him to the dignity of his calling in connection with the covenant of redemption, that he sang Psalms, which have become an integral part of the canon. They are the fruit not only of his high gifts and the inspiration of the Spirit of God (Sa2 23:2), but also of his own experience and of the experience of his people interwoven with his own. David's path from his anointing onwards, lay through affliction to glory. Song however, as a Hindu proverb says, is the offspring of suffering, the חloka springs from the חoka. His life was marked by vicissitudes which at one time prompted him to elegiac strains, at another to praise and thanksgiving; at the same time he was the founder of the kingship of promise, a prophecy of the future Christ, and his life, thus typically moulded, could not express itself otherwise than in typical or even consciously prophetic language. Raised to the throne, he did not forget the harp which had been his companion and solace when he fled before Saul, but rewarded it with all honour. He appointed 4000 Levites, the fourth division of the whole Levitical order, as singers and musicians in connection with the service in the tabernacle on Zion and partly in Gibeon, the place of the Mosaic tabernacle. These he divided into 24 classes under the Precentors, Asaph, Heman, and Ethan = Jeduthun (1 Chron 25 comp. Ch1 15:17.), and multiplied the instruments, particularly the stringed instruments, by his own invention (Ch1 23:5; Neh 12:36)\n\n(Note: I tended, says David in the Greek Psalter, at the close of Ps, my father's sheep, my hands made pipes (ὄργανον = עוגב) and my fingers put together (or: tuned) harps (ψαλτήριον = נבל) cf. Numeri Rabba c. xv. (f. 264a) and the Targum on Amo 6:5.).\n\nIn David's time there were three places of sacrifice: on Zion beside the ark (Sa2 6:17.), in Gibeon beside the Mosaic tabernacle (Ch1 16:39.) and later, on the threshing-floor of Ornan, afterwards the Temple-hill (Ch1 21:28-30). Thus others also were stimulated in many ways to consecrate their offerings to the God of Israel. Beside the 73 Psalms bearing the inscription לדוד, - Psalms the direct Davidic authorship of which is attested, at least in the case of some fifty, by their creative originality, their impassioned and predominantly plaintive strain, their graceful flow and movement, their ancient but clear language, which becomes harsh and obscure only when describing the dissolute conduct of the ungodly-the collection contains the following which are named after contemporary singers appointed by David: 12 לאסף (Ps 50; 78:1-83:18), of which the contents and spirit are chiefly prophetic, and 12 by the Levite family of singers, the בני־קרה (Ps 42-49; 84:1-85:13; 87:1-88:18, including Psa 43:1-5), bearing a predominantly regal and priestly impress. Both the Psalms of the Ezrahite, Ps 88 by Heman and Ps 89 by Ethan, belong to the time of Solomon whose name, with the exception of Ps 72, is borne only by Psa 127:1-5. Under Solomon psalm-poesy began to decline; all the existing productions of the mind of that age bear the mark of thoughtful contemplation rather than of direct conception, for restless eagerness had yielded to enjoyable contentment, national concentration to cosmopolitan expansion. It was the age of the Chokma, which brought the apophthegm to its artistic perfection, and also produced a species of drama. Solomon himself is the perfecter of the Mashal, that form of poetic composition belonging strictly to the Chokma, Certainly according to Kg1 5:12 [Hebr.; Kg1 4:32, Engl.] he was also the author of 1005 songs, but in the canon we only find two Psalms by him and the dramatic Song of Songs. This may perhaps be explained by the fact that he spake of trees from the cedar to the hyssop, that his poems, mostly of a worldly character, pertained rather to the realm of nature than to the kingdom of grace.\n\nOnly twice after this did psalm-poesy rise to any height and then only for a short period: viz., under Jehoshaphat and under Hezekiah. Under both these kings the glorious services of the Temple rose from the desecration and decay into which they had fallen to the full splendour of their ancient glory. Moreover there were two great and marvellous deliverances which aroused the spirit of poesy during the reigns of these kings: under Jehoshaphat, the overthrow of the neighbouring nations when they had banded together for the exstirpation of Judah, predicted by Jahaziel, the Asaphite; under Hezekiah the overthrow of Sennacherib's host foretold by Isaiah. These kings also rendered great service to the cause of social progress. Jehoshaphat by an institution designed to raise the educational status of the people, which reminds one of the Carlovingian missi (Ch2 17:7-9); Hezekiah, whom one may regard as the Pisistratus of Israelitish literature, by the establishment of a commission charged with collecting the relics of the early literature (Pro 25:1); he also revived the ancient sacred music and restored the Psalms of David and Asaph to their liturgical use (Ch2 29:25.). And he was himself a poet, as his מכתב (מכתם?) (Isa 38) shows, though certainly a reproductive rather than a creative poet. Both from the time of Jehoshaphat and from the time of Hezekiah we possess in the Psalter not a few Psalms, chiefly Asaphic and Korahitic, which, although bearing no historical heading, unmistakeably confront us with the peculiar circumstances of those times.\n\n(Note: With regard to the time of Jehoshaphat even Nic. Nonne has acknowledge this in his Diss. de Tzippor et Deror (Bremen 1741, 4to.) which has reference to Psa 84:4.)\n\nWith the exception of these two periods of revival the latter part of the regal period produced scarcely any psalm writers, but is all the more rich in prophets. When the lyric became mute, prophecy raised its trumpet voice in order to revive the religious life of the nation, which previously had expressed itself in psalms. In the writings of the prophets, which represent the λεῖμμα χάριτος in Israel, we do indeed find even psalms, as Jon 2:1-10, Isa 12:1-6; Hab 3:1, but these are more imitations of the ancient congregational hymns than original compositions. It was not until after the Exile that a time of new creations set in.\n\nAs the Reformation gave birth to the German church-hymn, and the Thirty years' war, without which perhaps there might have been no Paul Gerhardt, called it into life afresh, so the Davidic age gave birth to psalm-poesy and the Exile brought back to life again that which had become dead. The divine chastisement did not fail to produce the effect designed. Even though it should not admit of proof, that many of the Psalms have had portions added to them, from which it would be manifest how constantly they were then used as forms of supplication, still it is placed beyond all doubt, that the Psalter contains many psalms belonging to the time of the Exile, as e.g., Ps 102. Still far more new psalms were composed after the Return. When those who returned from exile, among whom were many Asaphites,\n\n(Note: In Barhebraeus on Job and in his Chronikon several traditions are referred to \"Asaph the Hebrew priest, the brother of Ezra the writer of the Scriptures.\")\n\nagain felt themselves to be a nation, and after the restoration of the Temple to be also a church, the harps which in Babylon hung upon the willows, were tuned afresh and a rich new flow of song was the fruit of this re-awakened first love. But this did not continue long. A sanctity founded on good works and the service of the letter took the place of that outward, coarse idolatry from which the people, now returned to their fatherland, had been weaned while undergoing punishment in the land of the stranger. Nevertheless in the era of the Seleucidae the oppressed and injured national feeling revived under the Maccabees in its old life and vigour. Prophecy had then long been dumb, a fact lamented in many passages in the 1st Book of the Maccabees. It cannot be maintained that psalm-poesy flourished again at that time. Hitzig has recently endeavoured to bring forward positive proof, that it is Maccabean psalms, which form the proper groundwork of the Psalter. He regards the Maccabean prince Alexander Jannaeus as the writer of Psa 1:1-6 and Psa 2:1-12, refers Ps 44 to 1 Macc. 5:56-62, and maintains both in his Commentary of 1835-36 and in the later edition of 1863-65 that from Ps 73 onwards there is not a single pre-Maccabean psalm in the collection and that, from that point, the Psalter mirrors the prominent events of the time of the Maccabees in chronological order. Hitzig has been followed by von Lengerke and Olshausen. They both mark the reign of John Hyrcanus (b.c. 135-107) as the time when the latest psalms were composed and when the collection as we now have it was made: whereas Hitzig going somewhat deeper ascribes Ps 1-2; Psa 150:1-6 with others, and the arrangement of the whole, to Hyrcanus' son, Alexander Jannaeus.\n\nOn the other hand both the existence and possibility of Maccabean psalms is disputed not only by Hengstenberg, Hvernick, and Keil but also by Gesenius, Hassler, Ewald, Thenius, Bttcher, and Dillmann. For our own part we admit the possibility. It has been said that the ardent enthusiasm of the Maccabean period was more human than divine, more nationally patriotic than theocratically national in its character, but the Book of Daniel exhibits to us, in a prophetic representation of that period, a holy people of the Most High contending with the god-opposing power in the world, and claims for this contest the highest significance in relation to the history of redemption. The history of the canon, also, does not exclude the possibility of there being Maccabean psalms. For although the chronicler by Ch1 16:36 brings us to the safe conclusion that in his day the Psalter (comp. τὰ τοῦ Δαυίδ, 2 Macc. 2:13)\n\n(Note: In the early phraseology of the Eastern and Western churches the Psalter is simply called David, e.g., in Chrysostom: ἐκμαθόντες ὅλον τὸν Δαβίδ, and at the close of the Aethiopic Psalter: \"David is ended.\")\n\nwas already a whole divided into five books (vid., on Psa 96:1-13; 105:1-106:48): it might nevertheless, after having been completely arranged still remain open for later insertions (just as the ספר הישׁר cited in the Jos 1:1 and 2 Sam 1, was an anthology which had grown together in the course of time). When Judas Maccabaeus, by gathering together the national literature, followed in the footsteps of Nehemiah (2 Macc. 2:14: ὡσαύτως δὲ καὶ Ἰούδας τὰ δεισκορπισμένα διὰ τὸν πόλεμον τὸν γεγονότα ἡμῖν ἐπισυνήγαγε πάντα, καὶ ἔστι παρ ̓ ἡμῖν), we might perhaps suppose that the Psalter was at that time enriched by some additions. And when Jewish tradition assigns to the so-called Great Synagogue (כנסת הגדולה) a share in the compilation of the canon, this is not unfavourable to the supposition of Maccabean psalms, since this συναγωγή μεγάλη was still in existence under the domination of the Seleucidae (1 Macc. 14:28).\n\nIt is utterly at variance with historical fact to maintain that the Maccabean period was altogether incapable of producing psalms worthy of incorporation in the canon. Although the Maccabean period had no prophets, it is nevertheless to be supposed that many possessed the gift of poesy, and that the Spirit of faith, which is essentially one and the same with the Spirit of prophecy, might sanctify this gift and cause it to bear fruit. An actual proof of this is furnished by the so-called Psalter of Solomon (Ψαλτήριον Σαλομῶντος in distinction from the canonical Psalter of David)\n\n(Note: First made known by De la Cerda in his Adversaria sacra (1626) and afterwards incorporated by Fabricius in his Codex Pseudepigraphus V. T. pp. 914ff. (1713).)\n\nconsisting of 18 psalms, which certainly come far behind the originality and artistic beauty of the canonical Psalms; but they show at the same time, that the feelings of believers, even throughout the whole time of the Maccabees, found utterance in expressive spiritual songs. Maccabean psalms are therefore not an absolute impossibility - no doubt they were many; and that some of them were incorporated in the Psalter, cannot be denied priori. But still the history of the canon does not favour this supposition. And the circumstance of the lxx version of the Psalms (according to which citations are made even in the first Book of the Maccabees) inscribing several Psalms Ἀγγαίου καὶ Ζαχαρίου, while however it does not assign the date of the later period to any, is against it. And if Maccabean psalms be supposed to exist in the Psalter they can at any rate only be few, because they must have been inserted in a collection which was already arranged. And since the Maccabean movement, though beginning with lofty aspirations, gravitated, in its onward course, towards things carnal, we can no longer expect to find psalms relating to it, or at least none belonging to the period after Judas Maccabaeus; and from all that we know of the character and disposition of Alexander Jannaeus it is morally impossible that this despot should be the author of the first and second Psalms and should have closed the collection.\n\n4. Origin of the Collection\n\nThe Psalter, as we now have it, consists of five books.\n\n(Note: The Karaite Jerocham (about 950 a.d.) says מגלות (rolls) instead of ספרים.)\n\nΤοῦτό σε μὴ παρέλθοι, ὦ φιλόλογε - says Hippolytus, whose words are afterwards quoted by Epiphanius - ὅτι καὶ τὸ ψαλτήριον εἰς πέντε διεῖλον βιβλία οἱ Ἑβραῖοι, ὥστε εἶναι καὶ αὐτὸ ἄλλον πεντάτευχον. This accords with the Midrash on Psa 1:1 : Moses gave the Israelites the five books of the Thτra and corresponding to these (כנגדם) David gave them the book of Psalms which consists of five books (ספר תהלים שׁישׁ בו חמשׁה ספרים). The division of the Psalter into five parts makes it the copy and echo of the Thפra, which it also resembles in this particular: that as in the Thפra Elohistic and Jehovistic sections alternate, so here a group of Elohistic Psalms (42-84) is surrounded on both sides by groups of Jehovistic (1-41, 85-150). The five books are as follow:-1-41, 42-72, 83-89, 90-106, 107-150.\n\n(Note: The Karaite Jefeth ben Eli calls them אשׁרי ספר, כאיל ס etc.)\n\nEach of the first four books closes with a doxology, which one might erroneously regard as a part of the preceding Psalm (Ps 41:14; Psa 72:18., 89:53; Psa 106:48), and the place of the fifth doxology is occupied by Ps as a full toned finale to the whole (like the relation of Ps 139 to the so-called Songs of degrees). These doxologies very much resemble the language of the liturgical Beracha of the second Temple. The אמן ואמן coupled with ו (cf. on the contrary Num 5:22 and also Neh 8:6) is exclusively peculiar to them in Old Testament writings. Even in the time of the writer of the Chronicles the Psalter was a whole divided into five parts, which were indicated by these landmarks. We infer this from Ch1 16:36. The chronicler in the free manner which characterises Thucydides of Livy in reporting a speech, there reproduces David's festal hymn that resounded in Israel after the bringing home of the ark; and he does it in such a way that after he has once fallen into the track of Ps 106, he also puts into the mouth of David the beracha which follows that Ps. From this we see that the Psalter was already divided into books at that period; the closing doxologies had already become thoroughly grafted upon the body of the Psalms after which they stand. The chronicler however wrote under the pontificate of Johanan, the son of Eliashib, the predecessor of Jaddua, towards the end of the Persian supremacy, but a considerable time before the commencement of the Grecian.\n\nNext to this application of the beracha of the Fourth book by the chronicler, Psa 72:20 is a significant mark for determining the history of the origin of the Psalter. The words: \"are ended the prayers of David the son of Jesse,\" are without doubt the subscription to the oldest psalm-collection, which preceded the present psalm-pentateuch. The collector certainly has removed this subscription from its original place close after Psa 72:17, by the interpolation of the beracha Psa 72:18, but left it, as the same time, untouched. The collectors and those who worked up the older documents within the range of the Biblical literature appear to have been extremely conscientious in this respect and they thereby make it easier for us to gain an insight into the origin of their work, - as, e.g., the composer of the Books of Samuel gives intact the list of officers from a later document Sa2 8:16-18 (which closed with that, so far as we at present have it in its incorporated state), as well as the list from an older document (Sa2 20:23-26); or, as not merely the author of the Book of Kings in the middle of the Exile, but also the chronicler towards the end of the Persian period, have transferred unaltered, to their pages, the statement that the staves of the ark are to be found in the rings of the ark \"to this day,\" which has its origin in some annalistic document (Kg1 8:8; Ch2 5:9). But unfortunately that subscription, which has been so faithfully preserved, furnishes us less help than we could wish. We only gather from it that the present collection was preceded by a primary collection of very much more limited compass which formed its basis and that this closed with the Salomonic Ps 72; for the collector would surely not have placed the subscription, referring only to the prayers of David, after this Psalm if he had not found it there already. And from this point it becomes natural to suppose that Solomon himself, prompted perhaps by the liturgical requirements of the new Temple, compiled this primary collection, and by the addition of Ps 72 may have caused it to be understood that he was the originator of the collection.\n\nBut to the question whether the primary collection also contained only Davidic songs properly so called or whether the subscribed designation תהלות דוד is only intended a potiori, the answer is entirely wanting. If we adopt the latter supposition, one is at a loss to u","order":19,"numberOfChapters":146,"sha256":"e4faeedf9f4a36317a2f2a1f443740f9dc8b384666dc222941d9b34a3f96b6d6","firstChapterNumber":1,"firstChapterApiLink":"/api/c/keil-delitzsch/PSA/1.json","firstChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":1},"lastChapterNumber":150,"lastChapterApiLink":"/api/c/keil-delitzsch/PSA/150.json","lastChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":150},"totalNumberOfVerses":650},"chapter":{"number":89,"content":[{"type":"verse","number":1,"content":["The poet, who, as one soon observes, is a חכם (for the very beginning of the Psalm is remarkable and ingenious), begins with the confession of the inviolability of the mercies promised to the house of David, i.e., of the הסדי דוד הנּאמנים, Isa 55:3.\n(Note: The Vulgate renders: Misericordias Domini in aeternum cantabo. The second Sunday after Easter takes its name from this rendering.)\nGod's faithful love towards the house of David, a love faithful to His promises, will he sing without ceasing, and make it known with his mouth, i.e., audibly and publicly (cf. Job 19:16), to the distant posterity. Instead of חסדי, we find here, and also in Lam 3:22, חסדי with a not merely slightly closed syllable. The Lamed of לדר ודר is, according to Psa 103:7; Psa 145:12, the datival Lamed. With כּי־אמרתּי (lxx, Jerome, contrary to Psa 89:3, ὅτι εἶπας) the poet bases his resolve upon his conviction. נבנה means not so much to be upheld in building, as to be in the course of continuous building (e.g., Job 22:23; Mal 3:15, of an increasingly prosperous condition). Loving-kindness is for ever (accusative of duration) in the course of continuous building, viz., upon the unshakeable foundation of the promise of grace, inasmuch as it is fulfilled in accordance therewith. It is a building with a most solid foundation, which will not only not fall into ruins, but, adding one stone of fulfilment upon another, will rise ever higher and higher. שׁמים then stands first as casus absol., and בּהם is, as in Psa 19:5, a pronoun having a backward reference to it. In the heavens, which are exalted above the rise and fall of things here below, God establishes His faithfulness, so that it stands fast as the sun above the earth, although the condition of things here below seems sometimes to contradict it (cf. Psa 119:89). Now follow in Psa 89:4-5 the direct words of God, the sum of the promises given to David and to his seed in 2 Sam. 7, at which the poet arrives more naturally in Psa 89:20. Here they are strikingly devoid of connection. It is the special substance of the promises that is associated in thought with the \"loving-kindness\" and \"truth\" of Psa 89:3, which is expanded as it were appositionally therein. Hence also אכין and תּכין, וּבניתי and יבּנה correspond to one another. David's seed, by virtue of divine faithfulness, has an eternally sure existence; Jahve builds up David's throne \"into generation and generation,\" inasmuch as He causes it to rise ever fresh and vigorous, never as that which is growing old and feeble. \n"]},{"type":"verse","number":5,"content":["At the close of the promises in Psa 89:4-5 the music is to become forte. And ויודוּ attaches itself to this jubilant Sela. In Psa 89:6-19 there follows a hymnic description of the exalted majesty of God, more especially of His omnipotence and faithfulness, because the value of the promise is measured by the character of the person who promises. The God of the promise is He who is praised by the heavens and the holy ones above. His way of acting is פלא, of a transcendent, paradoxical, wondrous order, and as such the heavens praise it; it is praised (יודו, according to Ges. 137, 3) in the assembly of the holy ones, i.e., of the spirits in the other world, the angels (as in Job 5:1; Job 15:15, cf. Deu 33:2), for He is peerlessly exalted above the heavens and the angels. שׁחק, poetic singular instead of שׁחקים (vid., supra on Psa 77:18), which is in itself already poetical; and ערך, not, as e.g., in Isa 40:18, in the signification to co-ordinate, but in the medial sense: to rank with, be equal to. Concerning בּני אלים, vid., on Psa 29:1. In the great council (concerning סוד, of both genders, perhaps like כּוס, vid., on Psa 25:14) of the holy ones also, Jahve is terrible; He towers above all who are about Him (Kg1 22:19, cf. Dan 7:10) in terrible majesty. רבּה might, according to Psa 62:3; Psa 78:15, be an adverb, but according to the order of the words it may more appropriately be regarded as an adjective; cf. Job 31:34, כּי אערץ המון רבּה, \"when I feared the great multitude.\" In Psa 89:9 He is apostrophized with אלהי צבאות as being the One exalted above the heavens and the angels. The question \"Who is as Thou?\" takes its origin from Exo 15:11. חסין is not the construct form, but the principal form, like גּביר, ידיד, עויל ,יד, and is a Syriasm; for the verbal stem Syr. hṣan is native to the Aramaic, in which Syr. haṣı̄nā' = שׁדּי. In יהּ, what God is is reduced to the briefest possible expression (vid., Psa 68:19). In the words, \"Thy faithfulness compasseth Thee round about,\" the primary thought of the poet again breaks through. Such a God it is who has the faithfulness with which He fulfils all His promises, and the promises given to the house of David also, as His constant surrounding. His glory would only strike one with terror; but the faithfulness which encompasses Him softens the sunlike brilliancy of His glory, and awakens trust in so majestic a Ruler. \n"]},{"type":"verse","number":9,"content":["At the time of the poet the nation of the house of David was threatened with assault from violent foes; and this fact gives occasion for this picture of God's power in the kingdom of nature. He who rules the raging of the sea, also rules the raging of the sea of the peoples, Psa 65:8. גּאוּת, a proud rising, here of the sea, like גּאוה in Psa 46:4. Instead of בּשׂוע, Hitzig pleasantly enough reads בּשׁוא = בּשׁאו from שׁאה; but שׂוא is also possible so far as language is concerned, either as an infinitive = נשׂוא, Psa 28:2; Isa 1:14 (instead of שׂאת), or as an infinitival noun, like שׂיא, loftiness, Job 20:6, with a likewise rejected Nun. The formation of the clause favours our taking it as a verb: when its waves rise, Thou stillest them. From the natural sea the poet comes to the sea of the peoples; and in the doings of God at the Red Sea a miraculous subjugation of both seas took place at one and the same time. It is clear from Psa 74:13-17; Isa 51:9, that Egypt is to be understood by Rahab in this passage as in Psa 87:4. The word signifies first of all impetuosity, violence, then a monster, like \"the wild beast of the reed,\" Psa 68:31, i.e., the leviathan or the dragon. דּכּאת is conjugated after the manner of the Lamed He verbs, as in Psa 44:20. כּחלל is to be understood as describing the event or issue (vid., Psa 18:43): so that in its fall the proudly defiant kingdom is like one fatally smitten. Thereupon in Psa 89:12-15 again follows in the same co-ordination first the praise of God drawn from nature, then from history. Jahve's are the heavens and the earth. He is the Creator, and for that very reason the absolute owner, of both. The north and the right hand, i.e., the south, represent the earth in its entire compass from one region of the heavens to the other. Tabor on this side of the Jordan represents the west (cf. Hos 5:1), and Hermon opposite the east of the Holy Land. Both exult by reason of the name of God; by their fresh, cheerful look they give the impression of joy at the glorious revelation of the divine creative might manifest in themselves. In Psa 89:14 the praise again enters upon the province of history. \"An arm with (עם) heroic strength,\" says the poet, inasmuch as he distinguishes between the attribute inherent in God and the medium of its manifestation in history. His throne has as its מכון, i.e., its immovable foundation (Pro 16:12; Pro 25:5), righteousness of action and right, by which all action is regulated, and which is unceasingly realized by means of the action. And mercy and truth wait upon Him. קדּם פּני is not; to go before any one (הלּך לפני, Ps 85:14), but anticipatingly to present one's self to any one, Psa 88:14; Psa 95:2; Mic 6:6. Mercy and truth, these two genii of sacred history (Psa 43:3), stand before His face like waiting servants watching upon His nod. \n"]},{"type":"verse","number":15,"content":["The poet has now described what kind of God He is upon whose promise the royal house in Israel depends. Blessed, then, is the people that walks in the light of His countenance. הלּך of a self-assured, stately walk. The words ידעי תּרוּעה are the statement of the ground of the blessing interwoven into the blessing itself: such a people has abundant cause and matter for exultation (cf. Psa 84:5). תּרוּעה is the festive sound of joy of the mouth (Num 23:21), and of trumpets or sackbuts (Psa 27:6). This confirmation of the blessing is expanded in Psa 89:17-19. Jahve's שׁם, i.e., revelation or manifestation, becomes to them a ground and object of unceasing joy; by His צדקה, i.e., the rigour with which He binds Himself to the relationship He has entered upon with His people and maintains it, they are exalted above abjectness and insecurity. He is תּפארת עזּמו, the ornament of their strength, i.e., their strength which really becomes an ornament to them. In Psa 89:18 the poet declares Israel to be this happy people. Pinsker's conjecture, קרנם (following the Targum), destroys the transition to Psa 89:19, which is formed by Psa 89:18. The plural reading of Kimchi and of older editions (e.g., Bomberg's), קרנינוּ, is incompatible with the figure; but it is immaterial whether we read תּרים with the Chethb (Targum, Jerome), or with the Ker (lxx, Syriac) תּרוּם.\n(Note: Zur Geschichte des Karaismus, pp. קפא and קפב, according to which, reversely, in Jos 5:1 עברוּ is to be read instead of עברם, and Isa 33:2 זרענוּ instead of זרעם, Psa 12:8 תשמרנּוּ instead of תשמרם, Mic 7:19 חטאתנוּ instead of חטאתם, Job 32:8 תביננּוּ instead of תבינם, Pro 25:27 כבודנוּ instead of כבודם (the limiting of our honour brings honour, - an unlikely interpretation of the חקר).)\nמגנּנוּ and מלכּנוּ in Psa 89:19 are parallel designations of the human king of Israel; מגן as in Ps 47:10, but not in Psa 84:10. For we are not compelled, with a total disregard of the limits to the possibilities of style (Ew. 310, a), to render Psa 89:19: and the Holy One of Israel, (as to Him, He) is our King (Hitzig), since we do not bring down the Psalm beyond the time of the kings. Israel's shield, Israel's king, the poet says in the holy defiant confidence of faith, is Jahve's, belongs to the Holy One of Israel, i.e., he stands as His own possession under the protection of Jahve, the Holy One, who has taken Israel to Himself for a possession; it is therefore impossible that the Davidic throne should become a prey to any worldly power. \n"]},{"type":"verse","number":19,"content":["Having thus again come to refer to the king of Israel, the poet now still further unfolds the promise given to the house of David. The present circumstances are a contradiction to it. The prayer to Jahve, for which the way is thus prepared, is for the removal of this contradiction. A long line, extending beyond the measure of the preceding lines, introduces the promises given to David. With אז the respective period of the past is distinctly defined. The intimate friend of Jahve (חסיד) is Nathan (Ch1 17:15) or David, according as we translate בחזון \"in a vision\" or \"by means of a vision.\" But side by side with the לחסידך we also find the preferable reading לחסידיך, which is followed in the renderings of the lxx, Syriac, Vulgate, Targum, Aquila, Symmachus, and the Quarta, and is adopted by Rashi, Aben-Ezra, and others, and taken up by Heidenheim and Baer. The plural refers to Samuel and Nathan, for the statement brings together what was revealed to these two prophets concerning David. עזר is assistance as a gift, and that, as the designation of the person succoured by it (שׁוּה על as in Psa 21:6) with גּבּור shows, aid in battle. בּחוּר (from בּחר = בּגר in the Mishna: to ripen, to be manly or of marriageable age, distinct from בּחיר in Psa 89:4) is a young man, adolescens: while yet a young man David was raised out of his humble lowly condition (Psa 78:71) high above the people. When he received the promise (2 Sam. 7) he had been anointed and had attained to the lordship over all Israel. Hence the preterites in Psa 89:20-21, which are followed by promissory futures from Psa 89:22 onwards. תּכּון is fut. Niph., to be established, to prove one's self to be firm, unchangeable (Psa 78:37), a stronger expression than תּהיה, Sa1 18:12, Sa1 18:14; Sa2 3:10. The Hiph. השּׁיא, derived from נשׁא = נשׁה, to credit (vid., on Isa 24:2; Gesenius, Hengstenberg), does not give any suitable sense; it therefore signifies here as elsewhere, \"to impose upon, surprise,\" with בּ, as in Psa 55:16 with על. Psa 89:23 is the echo of Sa2 7:10. \n"]},{"type":"verse","number":23,"content":["What is promised in Psa 89:26 is a world-wide dominion, not merely dominion within the compass promised in the primeval times (Gen 15:18; Ch2 9:26), in which case it ought to have been said ובנהר (of the Euphrates). Nor does the promise, however, sound so definite and boundless here as in Psa 72:8, but it is indefinite and universal, without any need for our asking what rivers are intended by נהרות. נתן יד בּ, like שׁלח (in Isa 11:14, of a giving and taking possession. With אף־אני (with retreated tone, as in Psa 119:63, Psa 119:125) God tells with what He will answer David's filial love. Him who is the latest-born among the sons of Jesse, God makes the first-born (בּכור from בּכר, to be early, opp. לקשׁ, to be late, vid., Job 2:1-13 :21), and therefore the most favoured of the \"sons of the Most High,\" Psa 82:6. And as, according to Deu 28:1, Israel is to be high (עליון) above all nations of the earth, so David, Israel's king, in whom Israel's national glory realizes itself, is made as the high one (עליון) with respect to the kings, i.e., above the kings, of the earth. In the person of David his seed is included; and it is that position of honour which, after having been only prelusively realized in David and Solomon, must go on being fulfilled in his seed exactly as the promise runs. The covenant with David is, according to Psa 89:29, one that shall stand for ever. David is therefore, as Psa 89:30 affirms, eternal in his seed; God will make David's seed and throne לעד, into eternal, i.e., into such as will abide for ever, like the days of heaven, everlasting. This description of eternal duration is, as also in Sir. 45:15, Bar. 1:11, Taken from Deu 11:21; the whole of Psa 89:30 is a poetic reproduction of Sa2 7:16. \n"]},{"type":"verse","number":30,"content":["Now follows the paraphrase of Sa2 7:14, that the faithlessness of David's line in relation to the covenant shall not interfere with (annul) the faithfulness of God - a thought with which one might very naturally console one's self in the reign of Rehoboam. Because God has placed the house of David in a filial relationship to Himself, He will chastise the apostate members as a father chastises his son; cf. Pro 23:13. In Ch1 17:13 the chronicler omits the words of Sa2 7:14 which there provide against perverted action (העוות) on the part of the seed of David; our Psalm proves their originality. But even if, as history shows, this means of chastisement should be ineffectual in the case of individuals, the house of David as such will nevertheless remain ever in a state of favour with Him. In Psa 89:34 חסדּי לא־אפיר מעמּו corresponds to וחסדּי־לא־יסוּר ממּנּוּ in Sa2 7:15 (lxx, Targum): the fut. Hiph. of פרר is otherwise always אפר; the conjecture אסיר is therefore natural, yet even the lxx translators (ου ̓ μὴ διασκεδάσω) had אפיר before them. שׁקּר בּ as in Psa 44:18. The covenant with David is sacred with God: He will not profane it (חלּל, to loose the bonds of sanctity). He will fulfil what has gone forth from His lips, i.e., His vow, according to Deu 23:24 [23], cf. Num 30:3 [2]. One thing hath He sworn to David; not: once = once for all (lxx), for what is introduced by Psa 89:36 (cf. Psa 27:4) and follows in Psa 89:37, Psa 89:38, is in reality one thing (as in Psa 62:12, two). He hath sworn it per sanctitatem suam. Thus, and not in sanctuario meo, בּקדשׁי in this passage and Amo 4:2 (cf. on Psa 60:8) is to be rendered, for elsewhere the expression is בּי, Gen 22:16; Isa 45:23, or בּנפשׁו, Amo 6:8; Jer 51:14, or בּשׁמי, Jer 44:26, or בּימינו, Isa 62:8. It is true we do not read any set form of oath in 2 Sam. 7, 1 Chr. 17, but just as Isaiah, Isa 54:9, takes the divine promise in Gen 8:21 as an oath, so the promise so earnestly and most solemnly pledged to David may be accounted by Psalm-poesy (here and in Psa 132:11), which reproduces the historical matter of fact, as a promise attested with an oath. With אם in Psa 89:36 God asserts that He will not disappoint David in reference to this one thing, viz., the perpetuity of his throne. This shall stand for ever as the sun and moon; for these, though they may one day undergo a change (Psa 102:27), shall nevertheless never be destroyed. In the presence of Sa2 7:16 it looks as if Psa 89:38 ought to be rendered: and as the witness in the clouds shall it (David's throne) be faithful (perpetual). By the witness in the clouds one would then have to understand the rainbow as the celestial memorial and sign of an everlasting covenant. Thus Luther, Geier, Schmid, and others. But neither this rendering, nor the more natural one, \"and as the perpetual, faithful witness in the clouds,\" is admissible in connection with the absence of the כּ of comparison. Accordingly Hengstenberg, following the example of Jewish expositors, renders: \"and the witness in the clouds is perpetual,\" viz., the moon, so that the continuance of the Davidic line would be associated with the moon, just as the continuance of the condemned earth is with the rainbow. But in what sense would the moon have the name, without example elsewhere, of witness? Just as the Book of Job was the key to the conclusion of Ps 88, so it is the key to this ambiguous verse of the Psalm before us. It has to be explained according to Job 16:19, where Job says: \"Behold in heaven is my witness, and my surety in the heights.\" Jahve, the אל נאמן (Deu 7:9), seals His sworn promise with the words, \"and the witness in the sky (ethereal heights) is faithful\" (cf. concerning this Waw in connection with asseverations, Ew. 340, c). Hengstenberg's objection, that Jahve cannot be called His own witness, is disposed of by the fact that עד frequently signifies the person who testifies anything concerning himself; in this sense, in fact, the whole Tra is called עדוּת ה (the testimony of Jahve). \n"]},{"type":"verse","number":38,"content":["Now after the poet has turned his thoughts towards the beginnings of the house of David which were so rich in promise, in order that he might find comfort under the sorrowful present, the contrast of the two periods is become all the more sensible to him. With ואתּה in Psa 89:39 (And Thou - the same who hast promised and affirmed this with an oath) his Psalm takes a new turn, for which reason it might even have been ועתּה. זנח is used just as absolutely here as in Psa 44:24; Psa 74:1; Psa 77:8, so that it does not require any object to be supplied out of Psa 89:39. נארתּה in Psa 89:40 the lxx renders kate'strepsas; it is better rendered in Lam 2:7 ἀπετίναξε; for נאר is synonymous with נער, to shake off, push away, cf. Arabic el-menâ‛ir, the thrusters (with the lance). עבדּך is a vocational name of the king as such. His crown is sacred as being the insignia of a God-bestowed office. God has therefore made the sacred thing vile by casting it to the ground (חלּל לארץ, as in Psa 74:17, to cast profaningly to the ground). The primary passage to Psa 89:41-42, is Psa 80:13. \"His hedges\" are all the boundary and protecting fences which the land of the king has; and מבצריו \"the fortresses\" of his land (in both instances without כל, because matters have not yet come to such a pass).\n(Note: In the list of the nations and cities conquered by King Sheshonk I are found even cities of the tribe of Issachar, e.g., Shen-ma-an, Sunem; vid., Brugsch, Reiseberichte, S. 141-145, and Blau as referred to above.)\nIn שׁסּהוּ the notions of the king and of the land blend together. עברי־דרך are the hordes of the peoples passing through the land. שׁכניו are the neighbouring peoples that are otherwise liable to pay tribute to the house of David, who sought to take every possible advantage of that weakening of the Davidic kingdom. In Psa 89:44 we are neither to translate \"rock of his sword\" (Hengstenberg), nor \"O rock\" (Olshausen). צוּר does not merely signify rupes, but also from another root (צוּר, Arab. ṣâr, originally of the grating or shrill noise produced by pressing and squeezing, then more particularly to cut or cut off with pressure, with a sharply set knife or the like) a knife or a blade (cf. English knife, and German kneifen, to nip): God has decreed it that the edge or blade of the sword of the king has been turned back by the enemy, that he has not been able to maintain his ground in battle (הקמתו with ē instead of ı̂, as also when the tone is not moved forward, Mic 5:4). In Psa 89:45 the Mem of מטהרו, after the analogy of Eze 16:41; Eze 34:10, and other passages, is a preposition: cessare fecisti eum a splendore suo. A noun מטּהר = מטהר with Dag. dirimens, \n(Note: The view of Pinsker (Einleitung, S. 69), that this Dag. is not a sign of the doubling of the letter, but a diacritic point (that preceded the invention of the system of vowel-points), which indicated that the respective letter was to be pronounced with a Chateph vowel (e.g., miṭŏhar), is incorrect. The doubling Dag. renders the Sheb audible, and having once become audible it readily receives this or that colouring according to the nature of its consonant and of the neighbouring vowel.)\nlike מקדּשׁ Exo 15:17, מנּזר Nah 3:17 (Abulwald, Aben-Ezra, Parchon, Kimchi, and others), in itself improbable in the signification required here, is not found either in post-biblical or in biblical Hebrew. טהר, like צהר, signifies first of all not purity, but brilliancy. Still the form טהר does not lie at the basis of it in this instance; for the reading found here just happens not to be טהרו, but מטּהרו; and the reading adopted by Norzi, Heidenheim, and Baer, as also by Nissel and others, so far as form is concerned is not distinct from it, viz., מטּהרו (miṭtŏharo), the character of the Sheb being determined by the analogy of the following (cf. בּסּערה, Kg2 2:1), which presupposes the principal form טהר (Bttcher, 386, cf. supra, 2:31, note). The personal tenor of Psa 89:46 requires that it should be referred to the then reigning Davidic king, but not as dying before his time (Olshausen), but as becoming prematurely old by reason of the sorrowful experiences of his reign. The larger half of the kingdom has been wrested from him; Egypt and the neighbouring nations also threaten the half that remains to him; and instead of the kingly robe, shame completely covers him. \n"]},{"type":"verse","number":46,"content":["After this statement of the present condition of things the psalmist begins to pray for the removal of all that is thus contradictory to the promise. The plaintive question, Psa 89:47, with the exception of one word, is verbatim the same as Psa 79:5. The wrath to which quousque refers, makes itself to be felt, as the intensifying (vid., Psa 13:2) לנצח implies, in the intensity and duration of everlasting wrath. חלד is this temporal life which glides past secretly and unnoticed (Psa 17:14); and זכר־אני is not equivalent to זכרני (instead of which by way of emphasis only זכרני אני can be said), but אני מה־חלד stands for מה־חלד אני - according to the sense equivalent to אני מה־חדל, Psa 39:5, cf. Psa 39:6. The conjecture of Houbigant and modern expositors, זכר אדני (cf. Psa 89:51), is not needed, since the inverted position of the words is just the same as in Psa 39:5. In Psa 89:48 it is not pointed על־מה שׁוא, \"wherefore (Job 10:2; Job 13:14) hast Thou in vain (Psa 127:1) created?\" (Hengstenberg), but על־מה־שּׁוא, on account of or for what a nothing (מה־שׁוא belonging together as adjective and substantive, as in Psa 30:10; Job 26:14) hast Thou created all the children of men? (De Wette, Hupfeld, and Hitzig). על, of the ground of a matter and direct motive, which is better suited to the question in Psa 89:49 than the other way of taking it: the life of all men passes on into death and Hades; why then might not God, within this brief space of time, this handbreadth, manifest Himself to His creatures as the merciful and kind, and not as the always angry God? The music strikes in here, and how can it do so otherwise than in elegiac mesto? If God's justice tarries and fails in this present world, then the Old Testament faith becomes sorely tempted and tried, because it is not able to find consolation in the life beyond. Thus it is with the faith of the poet in the present juncture of affairs, the outward appearance of which is in such perplexing contradiction to the loving-kindness sworn to David and also hitherto vouchsafed. חסדים has not the sense in this passage of the promises of favour, as in Ch2 6:42, but proofs of favour; הראשׁנים glances back at the long period of the reigns of David and of Solomon.\n(Note: The Pasek between חראשׁנים and אדני is not designed merely to remove the limited predicate from the Lord, who is indeed the First and the Last, but also to secure its pronunciation to the guttural Aleph, which might be easily passed over after Mem; cf. Gen 1:27; Gen 21:17; Gen 30:20; Gen 42:21, and frequently.)\nThe Asaph Ps 77 and the Tephilla Isa. 63 contain similar complaints, just as in connection with Psa 89:51 one is reminded of the Asaph Psa 79:2, Psa 79:10, and in connection with Psa 89:52 of Psa 79:12. The phrase נשׂא בחיקו is used in other instances of loving nurture, Num 11:12; Isa 40:11. In this passage it must have a sense akin to חרפּת עבדיך. It is impossible on syntactic grounds to regard כּל־רבּים עמּים as still dependent upon חרפּת (Ewald) or, as Hupfeld is fond of calling it, as a \"post-liminiar\" genitive. Can it be that the כל is perhaps a mutilation of כּלמּת, after Eze 36:15, as Bttcher suggests? We do not need this conjecture. For (1) to carry any one in one's bosom, if he is an enemy, may signify: to be obliged to cherish him with the vexation proceeding from him (Jer 15:15), without being able to get rid of him; (2) there is no doubt that רבּים can, after the manner of numerals, be placed before the substantive to which it belongs, Eze 32:10, Pro 31:29; Ch1 28:5; Neh 9:28; cf. the other position, e.g., Jer 16:16; (3) consequently כּל־רבּים עמּים may signify the \"totality of many peoples\" just as well as כּל גּוים רבּים in Eze 31:6. The poet complains as a member of the nation, as a citizen of the empire, that he is obliged to foster many nations in his bosom, inasmuch as the land of Israel was overwhelmed by the Egyptians and their allies, the Libyans, Troglodytes, and Ethiopians. The אשׁר which follows in Psa 89:52 cannot now be referred back over Psa 89:51 to חרפּת (quâ calumniâ), and yet the relative sense, not the confirmatory (because, quoniam), is at issue. We therefore refer it to עמים, and take אויביך as an apposition, as in Psa 139:20 : who reproach Thee, (as) Thine enemies, Jahve, who reproach the footsteps (עקּבות as in Psa 77:20 with Dag. dirimens, which gives it an emotional turn) of Thine anointed, i.e., they follow him everywhere, wheresoever he may go, and whatsoever he may do. With these significant words, עקּבות משׁיחך, the Third Book of the Psalms dies away. \n"]},{"type":"verse","number":52,"content":["(Heb.: 89:53) The closing doxology of the Third Book.\n\n"]}]},"thisChapterLink":"/api/c/keil-delitzsch/PSA/89.json","thisChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":89},"nextChapterApiLink":"/api/c/keil-delitzsch/PSA/90.json","nextChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":90},"previousChapterApiLink":"/api/c/keil-delitzsch/PSA/88.json","previousChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":88},"numberOfVerses":10}