{"commentary":{"id":"keil-delitzsch","name":"Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary","website":"https://worthy.bible/commentaries/keil-delitzsch-commentary","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","licenseNotes":null,"licenseNotice":null,"englishName":"Carl Friedrich Keil and Franz Delitzsch Old Testament Commentary","language":"eng","textDirection":"rtl","sha256":"bb5cc0f9cfe0a93b3c903bb6972c6bc8c4e9f2bd3be6c2a6d276737cf9c5edce","availableFormats":["json"],"listOfBooksApiLink":"/api/c/keil-delitzsch/books.json","listOfProfilesApiLink":"/api/c/keil-delitzsch/profiles.json","numberOfBooks":39,"totalNumberOfChapters":909,"totalNumberOfVerses":6516,"totalNumberOfProfiles":0,"languageName":"English","languageEnglishName":"English"},"book":{"id":"PSA","commentaryId":"keil-delitzsch","name":"Psalms","commonName":"Psalms","introduction":"The Book of Psalms\n\nIntroduction to the Psalter\n\nΠάντα ὥσπερ ἐν μεγάλῳ τινὶ καὶ κοινῷ ταμιείῳ τῇ βίβλῳ τῶν ψαλμῶν τεθησαύρισται.\n\nBasil\n\n1. Position of the Psalter among the Hagiographa, and More Especially among the Poetical Books\n\nThe Psalter is everywhere regarded as an essential part of the Kethubim or Hagiographa; but its position among these varies. It seems to follow from Luk 24:44 that it opened the Kethubim in the earliest period of the Christina era.\n\n(Note: Also from 2 Macc. 2:13, where τὰ τοῦ Δαυίδ appears to be the designation of the כתובים according to their beginning; and from Philo, De vita contempl. (opp. II 475 ed. Mangey), where he makes the following distinction νόμους καὶ λόγια θεσπισθέντα διὰ προφητῶν καὶ ὕμνους καὶ τὰ ἄλλα οἷς ἐπιστήμη καὶ εὐσέβεια συναύξονται καὶ τελειοῦνται.)\n\nThe order of the books in the Hebrew MSS of the German class, upon which our printed editions in general use are based, is actually this: Psalms, Proverbs, Job, and the five Megilloth. But the Masora and the MSS of the Spanish class begin the Kethubim with the Chronicles which they awkwardly separate from Ezra and Nehemiah, and then range the Psalms, Job, Proverbs and the five Megilloth next.\n\n(Note: In all the Masoretic lists the twenty four books are arranged in the following order: 1) בראשׁית; 2) ואלה שׁמות; 3) ויקרא; 4) וידבר (also במדבר); 5) אלה הדברים; 6) יהושׁע; 7) שׁופטים; 8) שׁמואל; 9) מלכים; 10) ישׁעיה; 11) ירמיה; 12) יחזקאל; 13) תרי עשׂר; 14) דברי הימים; 15) תהלות; 16) איוב; 17) משׁלי; 18) רות; 19) שׁיר השׁירים; 20) קהלת; 21) קינות (איכה); 22) אחשׁורושׁ (מגלה); 23) דניאל; 24) עזרא. The Masoretic abbreviation for the three pre-eminently poetical books is accordingly, not מתא but (in agreement with their Talmudic order) אםת (as also in Chajug'), vid., Elia Levita, Masoreth ha-Masoreth p. 19. 73 (ed. Ven. 1538) ed. Ginsburg, 1867, p. 120, 248.)\n\nAnd according to the Talmud (Baba Bathra 14b) the following is the right order: Ruth, Psalms, Job, Proverbs; the Book of Ruth precedes the Psalter as its prologue, for Ruth is the ancestor of him to whom the sacred lyric owes its richest and most flourishing era. It is undoubtedly the most natural order that the Psalter should open the division of the Kethubim, and for this reason: that, according to the stock which forms the basis of it, it represents the time of David, and then afterwards in like manner the Proverbs and Job represent the Chokma-literature of the age of Solomon. But it is at once evident that it could have no other place but among the Kethubim.\n\nThe codex of the giving of the Law, which is the foundation of the old covenant and of the nationality of Israel, as also of all its subsequent literature, occupies the first place in the canon. Under the collective title of נביאים, a series of historical writings of a prophetic character, which trace the history of Israel from the occupation of Canaan to the first gleam of light in the gloomy retributive condition of the Babylonish Exile (Prophetae priores) is first attached to these five books of the Thra; and then a series of strictly prophetical writings by the prophets themselves which extend to the time of Darius Nothus, and indeed to the time of Nehemiah's second sojourn in Jerusalem under this Persian king (Prophetae posteriores). Regarded chronologically, the first series would better correspond to the second if the historical books of the Persian period (Chronicles with Ezra, Nehemiah, and Esther) were joined to it; but for a very good reason this has not been done. The Israelitish literature has marked out two sharply defined and distinct methods of writing history, viz., the annalistic and the prophetic. The so-called Elohistic and so-called Jehovistic form of historical writing in the Pentateuch might serve as general types of these. The historical books of the Persian period are, however, of the annalistic, not of the prophetic character (although the Chronicles have taken up and incorporated many remnants of the prophetic form of historical writing, and the Books of the Kings, vice versa, many remnants of the annalistic): they could not therefore stand among the Prophetae priores. But with the Book of Ruth it is different. This short book is so like the end of the Book of the Judges (ch. 17-21), that it might very well stand between Judges and Samuel; and it did originally stand after the Book of the Judges, just as the Lamentations of Jeremiah stood after his prophecies. It is only on liturgical grounds that they have both been placed with the so-called Megilloth (Canticles, Ruth, Lamentations, Ecclesiastes, and Esther, as they are arranged in our ordinary copies according to the calendar of the festivals). All the remaining books could manifestly only be classed under the third division of the canon, which (as could hardly have been otherwise in connection with תורה and נביאים) has been entitled, in the most general way, כתובים ,, - a title which, as the grandson of Ben-Sira renders it in his prologue to Ecclesiasticus, means simply τὰ ἄλλα πάτρια βιβλία, or τὰ λοιπὰ τῶν βιβλίων, and nothing more. For if it were intended to mean writings, written ברוח הקדשׁ, - as the third degree of inspiration which is combined with the greatest spontaneity of spirit, is styled according to the synagogue notion of inspiration-then the words ברוח הקדשׁ would and ought to stand with it.\n\n2. Names of the Psalter\n\nAt the close of the seventy-second Psalm (72:20) we find the subscription: \"Are ended the prayers of David, the Son of Jesse.\" The whole of the preceding Psalms are here comprehended under the name תּפלּות. This strikes one as strange, because with the exception of Psa 17:1-15 (and further on Ps 86; 90; 102; Psa 142:1-7) they are all inscribed otherwise; and because in part, as e.g., Psa 1:1-6 and Psa 2:1-12, they contain no supplicatory address to God and have therefore not the form of prayers. Nevertheless the collective name Tephilloth is suitable to all Psalms. The essence of prayer is a direct and undiverted looking towards God, and the absorption of the mind in the thought of Him. Of this nature of prayer all Psalms partake; even the didactic and laudatory, though containing no supplicatory address-like Hannah's song of praise which is introduced with ותתפלל (Sa1 2:1). The title inscribed on the Psalter is תּהלּים (ספר) for which תּלּים (apocopated תּלּי deta) is also commonly used, as Hippolytus (ed. de Lagarde p. 188) testifies: Ἑεβραῖοι περιέγραψαν τὴν βίβλον Σέφρα θελείμ.\n\n(Note: In Eusebius, vi. 25: Σέφηρ Θιλλήν; Jerome (in the Preface to his translation of the Psalms juxta Hebraicam veritatem) points it still differently: SEPHAR THALLIM quod interpretatur volumen hymnorum. Accordingly at the end of the Psalterium ex Hebraeo, Cod. 19 in the Convent Library of St. Gall we find the subscription: Sephar Tallim Quod interpretatur volumen Ymnorum explicit.)\n\nThis name may also seem strange, for the Psalms for the most part are hardly hymns in the proper sense: the majority are elegiac or didactic; and only a solitary one, Ps 145, is directly inscribed תהלה. But even this collective name of the Psalms is admissible, for they all partake of the nature of the hymn, to wit the purpose of the hymn, the glorifying of God. The narrative Psalms praise the magnalia Dei, the plaintive likewise praise Him, since they are directed to Him as the only helper, and close with grateful confidence that He will hear and answer. The verb הלּל includes both the Magnificat and the De profundis.\n\nThe language of the Masora gives the preference to the feminine form of the name, instead of תהלים, and throughout calls the Psalter ספר תהלות (e.g., on Sa2 22:5).\n\n(Note: It is an erroneous opinion of Buxtorf in his Tiberias and also of Jewish Masoretes, that the Masora calls the Psalter הלילא (hallla). It is only the so-called Hallel, Ps 113-119, that bears this name, for in the Masora on Sa2 22:5; Psa 116:3 is called הברו דהלילא (the similar passage in the Hallel) in relation to Psa 18:5.)\n\nIn the Syriac it is styled ketobo demazmûre, in the Koran zabûr (not as Golius and Freytag point it, zubûr), which in the usage of the Arabic language signifies nothing more than \"writing\" (synon. kitâb: vid., on Psa 3:1), but is perhaps a corruption of mizmor from which a plural mezâmir is formed, by a change of vowels, in Jewish-Oriental MSS. In the Old Testament writings a plural of mizamor does not occur. Also in the post-biblical usage mizmorı̂m or mizmoroth is found only in solitary instances as the name for the Psalms. In Hellenistic Greek the corresponding word ψαλμοί (from ψάλλειν = זמּר) is the more common; the Psalm collection is called βίβλος ψαλμῶν (Luk 20:42; Act 1:20) or ψαλτήριον, the name of the instrument (psantêrı̂n in the Book of Daniel)\n\n(Note: Νάβλα - say Eusebius and others of the Greek Fathers - παρ ̓ Ἑβραίοις λέγεται τὸ ψαλτήριον ὃ δὴ μόνον τῶν μουσικῶν ὀργάνων ὀρθότατον καὶ μὴ συνεργούμενον εἰς ἦχον ἐκ τῶν κατωτάτω μερῶν, ἀλλ ̓ ἄνωθεν ἔχων τὸν ὑπηχοῦντα χαλκόν. Augustine describes this instrument still more clearly in Psa 42:1-11 and elsewhere: Psalterium istud organum dicitur quod de superiore parte habet testudinem, illud scilicet tympanum et concavum lignum cui chordae innitentes resonant, cithara vero id ipsum lignum cavum et sonorum ex inferiore parte habet. In the cithern the strings pass over the sound-board, in the harp and lyre the vibrating body runs round the strings which are left free (without a bridge) and is either curved or angular as in the case of the harp, or encompasses the strings as in the lyre. Harps with an upper sounding body (whether of metal or wood, viz., lignum concavum i.e., with a hollow and hence sonorous wood, which protects the strings like a testudo and serves as tympanum) are found both on Egyptian and on Assyrian monuments. By the psalterium described by Augustine, Casiodorus and Isidorus understand the trigonum, which is in the form of an inverted sharp-cornered triangle; but it cannot be this that is intended because the horizontal strings of this instrument are surrounded by a three-sided sounding body, so that it must be a triangular lyre. Moreover there is also a trigon belonging to the Macedonian era which is formed like a harp (vid., Weiss' Kostmkunde, Fig. 347) and this further tends to support our view.)\n\nbeing transferred metaphorically to the songs that are sung with its accompaniment. Psalms are songs for the lyre, and therefore lyric poems in the strictest sense.\n\n3. The History of Psalm Composition\n\nBefore we can seek to obtain a clear idea of the origin of the Psalm-collection we must take a general survey of the course of the development of psalm writing. The lyric is the earliest kind of poetry in general, and the Hebrew poetry, the oldest example of the poetry of antiquity that has come down to us, is therefore essentially lyric. Neither the Epos nor the Drama, but only the Mashal, has branched off from it and attained an independent form. Even prophecy, which is distinguished from psalmody by a higher impulse which the mind of the writer receives from the power of the divine mind, shares with the latter the common designation of נכּא (Ch1 24:1-3), and the psalm-singer, משׁרר, is also as such called חזה (Ch1 25:5; Ch2 29:30; Ch2 35:15, cf. Ch1 15:19 and freq.); for just as the sacred lyric often rises to the height of prophet vision, so the prophetic epic of the future, because it is not entirely freed from the subjectivity of the prophet, frequently passes into the strain of the psalm.\n\nThe time of Moses was the period of Israel's birth as a nation and also of its national lyric. The Israelites brought instruments with them out of Egypt and these were the accompaniments of their first song (Ex 15) - the oldest hymn, which re-echoes through all hymns of the following ages and also through the Psalter (comp. Exo 15:2 with Psa 118:14; Exo 15:3 with Psa 24:8; Exo 15:4, Exo 14:27 with Psa 136:15; Ex 15: with Psa 78:13, Exo 15:11 with Psa 77:14; Psa 86:8; Psa 89:7.; Exo 15:13, Exo 15:17 with Psa 78:54, and other parallels of a similar kind). If we add to these, Ps 90 and Deut 32, we then have the prototypes of all Psalms, the hymnic, elegiac, and prophetico-didactic. All three classes of songs are still wanting in the strophic symmetry which characterises the later art. But even Deborah's song of victory, arranged in hexastichs, - a song of triumph composed eight centuries before Pindar and far outstripping him, - exhibits to us the strophic art approximating to its perfect development. It has been thought strange that the very beginnings of the poesy of Israel are so perfect, but the history of Israel, and also the history of its literature, comes under a different law from that of a constant development from a lower to a higher grade. The redemptive period of Moses, unique in its way, influences as a creative beginning, every future development. There is a constant progression, but of such a kind as only to develope that which had begun in the Mosaic age with all the primal force and fulness of a divine creation. We see, however, how closely the stages of this progress are linked together, from the fact that Hannah the singer of the Old Testament Magnificat, was the mother of him who anointed, as King, the sweet singer of Israel, on whose tongue was the word of the Lord.\n\nIn David the sacred lyric attained its full maturity. Many things combined to make the time of David its golden age. Samuel had laid the foundation of this both by his energetic reforms in general, and by founding the schools of the prophets in particular, in which under his guidance (Sa1 19:19.), in conjunction with the awakening and fostering of the prophetic gift, music and song were taught. Through these coenobia, whence sprang a spiritual awakening hitherto unknown in Israel, David also passed. Here his poetic talent, if not awakened, was however cultivated. He was a musician and poet born. Even as a Bethlehemite shepherd he played upon the harp, and with his natural gift he combined a heart deeply imbued with religious feeling. But the Psalter contains as few traces of David's Psalms before his anointing (vid., on Psa 8:1-9; Psa 144:1-15) as the New Testament does of the writings of the Apostles before the time of Pentecost. It was only from the time when the Spirit of Jahve came upon him at his anointing as king of Israel, and raised him to the dignity of his calling in connection with the covenant of redemption, that he sang Psalms, which have become an integral part of the canon. They are the fruit not only of his high gifts and the inspiration of the Spirit of God (Sa2 23:2), but also of his own experience and of the experience of his people interwoven with his own. David's path from his anointing onwards, lay through affliction to glory. Song however, as a Hindu proverb says, is the offspring of suffering, the חloka springs from the חoka. His life was marked by vicissitudes which at one time prompted him to elegiac strains, at another to praise and thanksgiving; at the same time he was the founder of the kingship of promise, a prophecy of the future Christ, and his life, thus typically moulded, could not express itself otherwise than in typical or even consciously prophetic language. Raised to the throne, he did not forget the harp which had been his companion and solace when he fled before Saul, but rewarded it with all honour. He appointed 4000 Levites, the fourth division of the whole Levitical order, as singers and musicians in connection with the service in the tabernacle on Zion and partly in Gibeon, the place of the Mosaic tabernacle. These he divided into 24 classes under the Precentors, Asaph, Heman, and Ethan = Jeduthun (1 Chron 25 comp. Ch1 15:17.), and multiplied the instruments, particularly the stringed instruments, by his own invention (Ch1 23:5; Neh 12:36)\n\n(Note: I tended, says David in the Greek Psalter, at the close of Ps, my father's sheep, my hands made pipes (ὄργανον = עוגב) and my fingers put together (or: tuned) harps (ψαλτήριον = נבל) cf. Numeri Rabba c. xv. (f. 264a) and the Targum on Amo 6:5.).\n\nIn David's time there were three places of sacrifice: on Zion beside the ark (Sa2 6:17.), in Gibeon beside the Mosaic tabernacle (Ch1 16:39.) and later, on the threshing-floor of Ornan, afterwards the Temple-hill (Ch1 21:28-30). Thus others also were stimulated in many ways to consecrate their offerings to the God of Israel. Beside the 73 Psalms bearing the inscription לדוד, - Psalms the direct Davidic authorship of which is attested, at least in the case of some fifty, by their creative originality, their impassioned and predominantly plaintive strain, their graceful flow and movement, their ancient but clear language, which becomes harsh and obscure only when describing the dissolute conduct of the ungodly-the collection contains the following which are named after contemporary singers appointed by David: 12 לאסף (Ps 50; 78:1-83:18), of which the contents and spirit are chiefly prophetic, and 12 by the Levite family of singers, the בני־קרה (Ps 42-49; 84:1-85:13; 87:1-88:18, including Psa 43:1-5), bearing a predominantly regal and priestly impress. Both the Psalms of the Ezrahite, Ps 88 by Heman and Ps 89 by Ethan, belong to the time of Solomon whose name, with the exception of Ps 72, is borne only by Psa 127:1-5. Under Solomon psalm-poesy began to decline; all the existing productions of the mind of that age bear the mark of thoughtful contemplation rather than of direct conception, for restless eagerness had yielded to enjoyable contentment, national concentration to cosmopolitan expansion. It was the age of the Chokma, which brought the apophthegm to its artistic perfection, and also produced a species of drama. Solomon himself is the perfecter of the Mashal, that form of poetic composition belonging strictly to the Chokma, Certainly according to Kg1 5:12 [Hebr.; Kg1 4:32, Engl.] he was also the author of 1005 songs, but in the canon we only find two Psalms by him and the dramatic Song of Songs. This may perhaps be explained by the fact that he spake of trees from the cedar to the hyssop, that his poems, mostly of a worldly character, pertained rather to the realm of nature than to the kingdom of grace.\n\nOnly twice after this did psalm-poesy rise to any height and then only for a short period: viz., under Jehoshaphat and under Hezekiah. Under both these kings the glorious services of the Temple rose from the desecration and decay into which they had fallen to the full splendour of their ancient glory. Moreover there were two great and marvellous deliverances which aroused the spirit of poesy during the reigns of these kings: under Jehoshaphat, the overthrow of the neighbouring nations when they had banded together for the exstirpation of Judah, predicted by Jahaziel, the Asaphite; under Hezekiah the overthrow of Sennacherib's host foretold by Isaiah. These kings also rendered great service to the cause of social progress. Jehoshaphat by an institution designed to raise the educational status of the people, which reminds one of the Carlovingian missi (Ch2 17:7-9); Hezekiah, whom one may regard as the Pisistratus of Israelitish literature, by the establishment of a commission charged with collecting the relics of the early literature (Pro 25:1); he also revived the ancient sacred music and restored the Psalms of David and Asaph to their liturgical use (Ch2 29:25.). And he was himself a poet, as his מכתב (מכתם?) (Isa 38) shows, though certainly a reproductive rather than a creative poet. Both from the time of Jehoshaphat and from the time of Hezekiah we possess in the Psalter not a few Psalms, chiefly Asaphic and Korahitic, which, although bearing no historical heading, unmistakeably confront us with the peculiar circumstances of those times.\n\n(Note: With regard to the time of Jehoshaphat even Nic. Nonne has acknowledge this in his Diss. de Tzippor et Deror (Bremen 1741, 4to.) which has reference to Psa 84:4.)\n\nWith the exception of these two periods of revival the latter part of the regal period produced scarcely any psalm writers, but is all the more rich in prophets. When the lyric became mute, prophecy raised its trumpet voice in order to revive the religious life of the nation, which previously had expressed itself in psalms. In the writings of the prophets, which represent the λεῖμμα χάριτος in Israel, we do indeed find even psalms, as Jon 2:1-10, Isa 12:1-6; Hab 3:1, but these are more imitations of the ancient congregational hymns than original compositions. It was not until after the Exile that a time of new creations set in.\n\nAs the Reformation gave birth to the German church-hymn, and the Thirty years' war, without which perhaps there might have been no Paul Gerhardt, called it into life afresh, so the Davidic age gave birth to psalm-poesy and the Exile brought back to life again that which had become dead. The divine chastisement did not fail to produce the effect designed. Even though it should not admit of proof, that many of the Psalms have had portions added to them, from which it would be manifest how constantly they were then used as forms of supplication, still it is placed beyond all doubt, that the Psalter contains many psalms belonging to the time of the Exile, as e.g., Ps 102. Still far more new psalms were composed after the Return. When those who returned from exile, among whom were many Asaphites,\n\n(Note: In Barhebraeus on Job and in his Chronikon several traditions are referred to \"Asaph the Hebrew priest, the brother of Ezra the writer of the Scriptures.\")\n\nagain felt themselves to be a nation, and after the restoration of the Temple to be also a church, the harps which in Babylon hung upon the willows, were tuned afresh and a rich new flow of song was the fruit of this re-awakened first love. But this did not continue long. A sanctity founded on good works and the service of the letter took the place of that outward, coarse idolatry from which the people, now returned to their fatherland, had been weaned while undergoing punishment in the land of the stranger. Nevertheless in the era of the Seleucidae the oppressed and injured national feeling revived under the Maccabees in its old life and vigour. Prophecy had then long been dumb, a fact lamented in many passages in the 1st Book of the Maccabees. It cannot be maintained that psalm-poesy flourished again at that time. Hitzig has recently endeavoured to bring forward positive proof, that it is Maccabean psalms, which form the proper groundwork of the Psalter. He regards the Maccabean prince Alexander Jannaeus as the writer of Psa 1:1-6 and Psa 2:1-12, refers Ps 44 to 1 Macc. 5:56-62, and maintains both in his Commentary of 1835-36 and in the later edition of 1863-65 that from Ps 73 onwards there is not a single pre-Maccabean psalm in the collection and that, from that point, the Psalter mirrors the prominent events of the time of the Maccabees in chronological order. Hitzig has been followed by von Lengerke and Olshausen. They both mark the reign of John Hyrcanus (b.c. 135-107) as the time when the latest psalms were composed and when the collection as we now have it was made: whereas Hitzig going somewhat deeper ascribes Ps 1-2; Psa 150:1-6 with others, and the arrangement of the whole, to Hyrcanus' son, Alexander Jannaeus.\n\nOn the other hand both the existence and possibility of Maccabean psalms is disputed not only by Hengstenberg, Hvernick, and Keil but also by Gesenius, Hassler, Ewald, Thenius, Bttcher, and Dillmann. For our own part we admit the possibility. It has been said that the ardent enthusiasm of the Maccabean period was more human than divine, more nationally patriotic than theocratically national in its character, but the Book of Daniel exhibits to us, in a prophetic representation of that period, a holy people of the Most High contending with the god-opposing power in the world, and claims for this contest the highest significance in relation to the history of redemption. The history of the canon, also, does not exclude the possibility of there being Maccabean psalms. For although the chronicler by Ch1 16:36 brings us to the safe conclusion that in his day the Psalter (comp. τὰ τοῦ Δαυίδ, 2 Macc. 2:13)\n\n(Note: In the early phraseology of the Eastern and Western churches the Psalter is simply called David, e.g., in Chrysostom: ἐκμαθόντες ὅλον τὸν Δαβίδ, and at the close of the Aethiopic Psalter: \"David is ended.\")\n\nwas already a whole divided into five books (vid., on Psa 96:1-13; 105:1-106:48): it might nevertheless, after having been completely arranged still remain open for later insertions (just as the ספר הישׁר cited in the Jos 1:1 and 2 Sam 1, was an anthology which had grown together in the course of time). When Judas Maccabaeus, by gathering together the national literature, followed in the footsteps of Nehemiah (2 Macc. 2:14: ὡσαύτως δὲ καὶ Ἰούδας τὰ δεισκορπισμένα διὰ τὸν πόλεμον τὸν γεγονότα ἡμῖν ἐπισυνήγαγε πάντα, καὶ ἔστι παρ ̓ ἡμῖν), we might perhaps suppose that the Psalter was at that time enriched by some additions. And when Jewish tradition assigns to the so-called Great Synagogue (כנסת הגדולה) a share in the compilation of the canon, this is not unfavourable to the supposition of Maccabean psalms, since this συναγωγή μεγάλη was still in existence under the domination of the Seleucidae (1 Macc. 14:28).\n\nIt is utterly at variance with historical fact to maintain that the Maccabean period was altogether incapable of producing psalms worthy of incorporation in the canon. Although the Maccabean period had no prophets, it is nevertheless to be supposed that many possessed the gift of poesy, and that the Spirit of faith, which is essentially one and the same with the Spirit of prophecy, might sanctify this gift and cause it to bear fruit. An actual proof of this is furnished by the so-called Psalter of Solomon (Ψαλτήριον Σαλομῶντος in distinction from the canonical Psalter of David)\n\n(Note: First made known by De la Cerda in his Adversaria sacra (1626) and afterwards incorporated by Fabricius in his Codex Pseudepigraphus V. T. pp. 914ff. (1713).)\n\nconsisting of 18 psalms, which certainly come far behind the originality and artistic beauty of the canonical Psalms; but they show at the same time, that the feelings of believers, even throughout the whole time of the Maccabees, found utterance in expressive spiritual songs. Maccabean psalms are therefore not an absolute impossibility - no doubt they were many; and that some of them were incorporated in the Psalter, cannot be denied priori. But still the history of the canon does not favour this supposition. And the circumstance of the lxx version of the Psalms (according to which citations are made even in the first Book of the Maccabees) inscribing several Psalms Ἀγγαίου καὶ Ζαχαρίου, while however it does not assign the date of the later period to any, is against it. And if Maccabean psalms be supposed to exist in the Psalter they can at any rate only be few, because they must have been inserted in a collection which was already arranged. And since the Maccabean movement, though beginning with lofty aspirations, gravitated, in its onward course, towards things carnal, we can no longer expect to find psalms relating to it, or at least none belonging to the period after Judas Maccabaeus; and from all that we know of the character and disposition of Alexander Jannaeus it is morally impossible that this despot should be the author of the first and second Psalms and should have closed the collection.\n\n4. Origin of the Collection\n\nThe Psalter, as we now have it, consists of five books.\n\n(Note: The Karaite Jerocham (about 950 a.d.) says מגלות (rolls) instead of ספרים.)\n\nΤοῦτό σε μὴ παρέλθοι, ὦ φιλόλογε - says Hippolytus, whose words are afterwards quoted by Epiphanius - ὅτι καὶ τὸ ψαλτήριον εἰς πέντε διεῖλον βιβλία οἱ Ἑβραῖοι, ὥστε εἶναι καὶ αὐτὸ ἄλλον πεντάτευχον. This accords with the Midrash on Psa 1:1 : Moses gave the Israelites the five books of the Thτra and corresponding to these (כנגדם) David gave them the book of Psalms which consists of five books (ספר תהלים שׁישׁ בו חמשׁה ספרים). The division of the Psalter into five parts makes it the copy and echo of the Thפra, which it also resembles in this particular: that as in the Thפra Elohistic and Jehovistic sections alternate, so here a group of Elohistic Psalms (42-84) is surrounded on both sides by groups of Jehovistic (1-41, 85-150). The five books are as follow:-1-41, 42-72, 83-89, 90-106, 107-150.\n\n(Note: The Karaite Jefeth ben Eli calls them אשׁרי ספר, כאיל ס etc.)\n\nEach of the first four books closes with a doxology, which one might erroneously regard as a part of the preceding Psalm (Ps 41:14; Psa 72:18., 89:53; Psa 106:48), and the place of the fifth doxology is occupied by Ps as a full toned finale to the whole (like the relation of Ps 139 to the so-called Songs of degrees). These doxologies very much resemble the language of the liturgical Beracha of the second Temple. The אמן ואמן coupled with ו (cf. on the contrary Num 5:22 and also Neh 8:6) is exclusively peculiar to them in Old Testament writings. Even in the time of the writer of the Chronicles the Psalter was a whole divided into five parts, which were indicated by these landmarks. We infer this from Ch1 16:36. The chronicler in the free manner which characterises Thucydides of Livy in reporting a speech, there reproduces David's festal hymn that resounded in Israel after the bringing home of the ark; and he does it in such a way that after he has once fallen into the track of Ps 106, he also puts into the mouth of David the beracha which follows that Ps. From this we see that the Psalter was already divided into books at that period; the closing doxologies had already become thoroughly grafted upon the body of the Psalms after which they stand. The chronicler however wrote under the pontificate of Johanan, the son of Eliashib, the predecessor of Jaddua, towards the end of the Persian supremacy, but a considerable time before the commencement of the Grecian.\n\nNext to this application of the beracha of the Fourth book by the chronicler, Psa 72:20 is a significant mark for determining the history of the origin of the Psalter. The words: \"are ended the prayers of David the son of Jesse,\" are without doubt the subscription to the oldest psalm-collection, which preceded the present psalm-pentateuch. The collector certainly has removed this subscription from its original place close after Psa 72:17, by the interpolation of the beracha Psa 72:18, but left it, as the same time, untouched. The collectors and those who worked up the older documents within the range of the Biblical literature appear to have been extremely conscientious in this respect and they thereby make it easier for us to gain an insight into the origin of their work, - as, e.g., the composer of the Books of Samuel gives intact the list of officers from a later document Sa2 8:16-18 (which closed with that, so far as we at present have it in its incorporated state), as well as the list from an older document (Sa2 20:23-26); or, as not merely the author of the Book of Kings in the middle of the Exile, but also the chronicler towards the end of the Persian period, have transferred unaltered, to their pages, the statement that the staves of the ark are to be found in the rings of the ark \"to this day,\" which has its origin in some annalistic document (Kg1 8:8; Ch2 5:9). But unfortunately that subscription, which has been so faithfully preserved, furnishes us less help than we could wish. We only gather from it that the present collection was preceded by a primary collection of very much more limited compass which formed its basis and that this closed with the Salomonic Ps 72; for the collector would surely not have placed the subscription, referring only to the prayers of David, after this Psalm if he had not found it there already. And from this point it becomes natural to suppose that Solomon himself, prompted perhaps by the liturgical requirements of the new Temple, compiled this primary collection, and by the addition of Ps 72 may have caused it to be understood that he was the originator of the collection.\n\nBut to the question whether the primary collection also contained only Davidic songs properly so called or whether the subscribed designation תהלות דוד is only intended a potiori, the answer is entirely wanting. If we adopt the latter supposition, one is at a loss to u","order":19,"numberOfChapters":146,"sha256":"e4faeedf9f4a36317a2f2a1f443740f9dc8b384666dc222941d9b34a3f96b6d6","firstChapterNumber":1,"firstChapterApiLink":"/api/c/keil-delitzsch/PSA/1.json","firstChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":1},"lastChapterNumber":150,"lastChapterApiLink":"/api/c/keil-delitzsch/PSA/150.json","lastChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":150},"totalNumberOfVerses":650},"chapter":{"number":68,"content":[{"type":"verse","number":1,"content":["The Psalm begins with the expression of a wish that the victory of God over all His foes and the triumphant exultation of the righteous were near at hand. Ewald and Hitzig take יקום אלהים hypothetically: If God arise, He enemies will be scattered. This rendering is possible in itself so far as the syntax is concerned, but here everything conspires against it; for the futures in Psa 68:2-4 form an unbroken chain; then a glance at the course of the Psalm from Psa 68:20 onwards shows that the circumstances of Israel, under which the poet writes, urged forth the wish: let God arise and humble His foes; and finally the primary passage, Num 10:35, makes it clear that the futures are the language of prayer transformed into the form of the wish. In Psa 68:3 the wish is addressed directly to God Himself, and therefore becomes petition. הנדּן is inflected (as vice versג ירדף, Psa 7:6, from ירדּף) from הנּדף (like הנּתן, Jer 32:4); it is a violation of all rule in favour of the conformity of sound (cf. הקצות for הקצות, Lev 14:43, and supra on Psa 51:6) with תּנדּף, the object of which is easily supplied (dispellas, sc. hostes tuos), and is purposely omitted in order to direct attention more stedfastly to the omnipotence which to every creature is so irresistible. Like smoke, wax (דּונג, root דג, τηκ, Sanscrit tak, to shoot past, to run, Zend taḱ, whence vitaḱina, dissolving, Neo-Persic gudâchten; causative: to cause to run in different directions = to melt or smelt) is an emblem of human feebleness. As Bakiuds observes, Si creatura creaturam non fert, quomodo creatura creatoris indignantis faciem ferre possit? The wish expressed in Psa 68:4 forms the obverse of the preceding. The expressions for joy are heaped up in order to describe the transcendency of the joy that will follow the release from the yoke of the enemy. לפני is expressively used in alternation with מפני in Psa 68:2, Psa 68:3 : by the wrathful action, so to speak, that proceeds from His countenance just as the heat radiating from the fire melts the wax the foes are dispersed, whereas the righteous rejoice before His gracious countenance.\nAs the result of the challenge that has been now expressed in Psa 68:2-4, Elohim, going before His people, begins His march; and in Psa 68:5 an appeal is made to praise Him with song, His name with the music of stringed instrument, and to make a way along which He may ride בּערבות. In view of Psa 68:34 we cannot take צרבות, as do the Targum and Talmud (B. Chagiga 12b), as a name of one of the seven heavens, a meaning to which, apart from other considerations, the verb ערב, to be effaced, confused, dark, is not an appropriate stem-word; but it must be explained according to Isa 40:3. There Jahve calls in the aid of His people, here He goes forth at the head of His people; He rides through the steppes in order to right against the enemies of His people. Not merely the historical reference assigned to the Psalm by Hitzig, but also the one adopted by ourselves, admits of allusion being made to the \"steppes of Moab;\" for the way to Mdeb, where the Syrian mercenaries of the Ammonites had encamped (Ch1 19:7), lay through these steppes, and also the way to Rabbath Ammon (Sa2 10:7.). סלּוּ calls upon them to make a way for Him, the glorious, invincible King (cf. Isa 57:14; Isa 62:10); סלל signifies to cast up, heap up or pave, viz., a raised and suitable street or highway, Symmachus katastroo'sate. He who thus rides along makes the salvation of His people His aim: \" is His name, therefore shout with joy before Him.\" The Beth in בּיהּ (Symmachus, Quinta: ἴα) is the Beth essentiae, which here, as in Isa 26:4, stands beside the subject: His name is (exists) in יה, i.e., His essential name is yh, His self-attestation, by which He makes Himself capable of being known and named, consists in His being the God of salvation, who, in the might of free grace, pervades all history. This Name is a fountain of exultant rejoicing to His people.\nThis Name is exemplificatively unfolded in Psa 68:6. The highly exalted One, who sits enthroned in the heaven of glory, rules in all history here below and takes an interest in the lowliest more especially, in all circumstances of their lives following after His own to succour them. He takes the place of a father to the orphan. He takes up the cause of the widow and contests it to a successful issue. Elohim is one who makes the solitary or isolated to dwell in the house; בּיתה with He locale, which just as well answers the question where? as whither? בּית, a house = family bond, is the opposite of יהיד, solitarius, recluse, Psa 25:16. Dachselt correctly renders it, in domum, h.e. familiam numerosam durabilemque eos ut patres-familias plantabit. He is further One who brings forth (out of the dungeon and out of captivity) those who are chained into abundance of prosperity. כּושׁרות, occurring only here, is a pluralet. from כּשׁר morf .tela, synonym אשׁר, to be straight, fortunate. Psa 68:7 briefly and sharply expresses the reverse side of this His humanely condescending rule among mankind. אך is here (cf. Gen 9:4; Lev 11:4) restrictive or adversative (as is more frequently the case with אכן); and the preterite is the preterite of that which is an actual matter of experience. The סוררים, i.e., (not from סוּר, the apostate ones, Aquila afista'menoi, but as in Psa 66:7, from סרר) the rebellious, Symmachus ἀπειθεῖς, who were not willing to submit to the rule of so gracious a God, had ever been excluded from these proofs of favour. These must inhabit צחיחה (accusative of the object), a sun-scorched land; from צחח, to be dazzlingly bright, sunny, dried or parched up. They remain in the desert without coming into the land, which, fertilized by the waters of grace, is resplendent with a fresh verdure and with rich fruits. If the poet has before his mind in connection with this the bulk of the people delivered out of Egypt, ὧν τὰ κῶλα ἔπεσαν ἐν τῇ ἐρήμω (Heb 3:17), then the transition to what follows is much more easily effected. There is, however, no necessity for any such intermediation. The poet had the march through the desert to Canaan under the guidance of Jahve, the irresistible Conqueror, in his mind even from the beginning, and now he expressly calls to mind that marvellous divine leading in order that the present age may take heart thereat.\n\n"]},{"type":"verse","number":7,"content":["In Psa 68:7. the poet repeats the words of Deborah (Jdg 5:4.), and her words again go back to Deu 33:2, cf. Exo 19:15.; on the other hand, our Psalm is the original to Hab. 3. The martial verb יצא represents Elohim as, coming forth from His heavenly dwelling-place (Isa 26:21), He places Himself at the head of Israel. The stately verb צעד represents Him as He accompanies the hosts of His people with the step of a hero confident of victory; and the terrible name for the wilderness, ישׁימון, is designedly chosen in order to express the contrast between the scene of action and that which they beheld at that time. The verb to זה סיני is easily supplied; Dachselt's rendering according to the accents is correct: hic mons Sinai (sc. in specie ita tremuit). The description fixes our attention upon Sinai as the central point of all revelations of God during the period of deliverance by the hand of Moses, as being the scene of the most gloriously of them all (vid., on Hab. p. 136f.). The majestic phenomena which proclaimed the nearness of God are distributed over the whole journeying, but most gloriously concentrated themselves at the giving of the Law of Sinai. The earth trembled throughout the extended circuit of this vast granite range, and the heavens dropped, inasmuch as the darkness of thunder clouds rested upon Sinai, pierced by incessant lightnings (Ex. 19). There, as the original passages describe it, Jahve met His people; He came from the east, His people from the west; there they found themselves together, and shaking the earth, breaking through the heavens, He gave them a pledge of the omnipotence which should henceforth defend and guide them. The poet has a purpose in view in calling Elohim in this passage \"the God of Israel;\" the covenant relationship of God to Israel dates from Sinai, and from this period onwards, by reason of the Tra, He became Israel's King (Deu 33:5). Since the statement of a fact of earlier history has preceded, and since the preterites alternate with them, the futures that follow in Psa 68:10, Psa 68:11 are to be understood as referring to the synchronous past; but hardly so that Psa 68:10 should refer to the miraculous supply of food, and more especially the rain of manna, during the journeyings through the wilderness. The giving of the Law from Sinai has a view to Israel being a settled, stationary people, and the deliverance out of the land of bondage only finds its completion in the taking and maintaining possession of the Land of Promise. Accordingly Psa 68:10, Psa 68:11 refer to the blessing and protection of the people who had taken up their abode there.\nThe נחלהּ of God (genit. auctoris, as in 2 Macc. 2:4) is the land assigned by Him to Israel as an inheritance; and גּשׁם נדבות an emblem of the abundance of gifts which God has showered down upon the land since Israel took up its abode in it. נדבה is the name given to a deed and gift springing from an inward impulse, and in this instance the intensive idea of richness and superabundance is associated therewith by means of the plural; גּשׁם נדבות is a shower-like abundance of good gifts descending from above. The Hiphil הניף here governs a double accusative, like the Kal in Pro 7:17, in so far, that is, as נחלתך is drawn to Psa 68:10; for the accentuation, in opposition to the Targum, takes נחלתך ונלאה together: Thine inheritance and that the parched one (Waw epexeget. as in Sa1 28:3; Amo 3:11; Amo 4:10). But this \"and that\" is devoid of aim; why should it not at once be read הנּלאה? The rendering of Bttcher, \"Thy sickened and wearied,\" is inadmissible, too, according to the present pointing; for it ought to be נחלתך or נחלתך. And with a suffix this Niphal becomes ambiguous, and more especially so in this connection, where the thought of נחלה, an inherited possession, a heritage, lies so naturally at hand. נחלתך is therefore to be drawn to Psa 68:10, and Psa 68:10 must begin with ונלאה, as in the lxx, καὶ ἠσθένησε σὺ δὲ κατεερτίσω αὐτήν. It is true נלאה is not a hypothetical preteriet equivalent to ונלאתה; but, as is frequently the case with the anarthrous participle (Ew. 341, b), it has the value of a hypothetical clause: \"and if it (Israel's inheritance) were in a parched, exhausted condition (cf. the cognate root להה, Gen 47:13), then hast Thou always made it again firm\" (Psa 8:4; Psa 15:1-5 :17), i.e., strengthened, enlivened it. Even here the idea of the inhabitants is closely associated with the land itself; in Psa 68:11 they are more especially thought of: \"They creatures dwelt therein.\" Nearly all modern expositors take חיּה either according to Sa2 23:11, Sa2 23:13 (cf. Ch1 11:15), in the signification tent-circle, ring-camp (root חו, Arab. ḥw, to move in a circle, to encircle, to compass), or in the signification of Arab. ḥayy (from Arab. ḥayiya = חיי, חיה), a race or tribe, i.e., a collection of living beings (cf. חיּי, Sa1 18:18). But the Asaphic character of this Psalm, which is also manifest in other points, is opposed to this rendering. This style of Psalm is fond of the comparison of Israel to a flock, so that also in Psa 74:19 חית עניין signifies nothing else than \"the creatures [Getheir, collective] of Thy poor, Thy poor creatures.\" This use of חיה is certainly peculiar; but not so remarkable as if by the \"creatures of God\" we had to understand, with Hupfeld, the quails (Ex. 16). The avoiding of בּהמה on account of the idea of brutum (Psa 73:22) which is inseparable from this word, is sufficient to account for it; in חיה, ζῷον, there is merely the notion of moving life. We therefore are to explain it according to Mic 7:14, where Israel is called a flock dwelling in a wood in the midst of Carmel: God brought it to pass, that the flock of Israel, although sorely persecuted, nevertheless continued to inhabit the land. בּהּ, as in Mic 7:15, refers to Canaan. עני in Psa 68:11 is the ecclesia pressa surrounded by foes on every side: Thou didst prepare for Thy poor with Thy goodness, Elohim, i.e., Thou didst regale or entertain Thy poor people with Thy possessions and Thy blessings. הכין ל, as in Gen 43:16; Ch1 12:39, to make ready to eat, and therefore to entertain; טובה as in Psa 65:12, טוּב ה, Jer 31:12. It would be quite inadmissible, because tautological, to refer תּכין to the land according to Psa 65:10 (Ewald), or even to the desert (Olshausen), which the description has now left far behind. \n"]},{"type":"verse","number":11,"content":["The futures that now follow are no longer to be understood as referring to previous history; they no longer alternate with preterites. Moreover the transition to the language of address in Psa 68:14 shows that the poet here looks forth from his present time and circumstances into the future; and the introduction of the divine name אדני, after Elohim has been used eleven times, is an indication of a new commencement. The prosperous condition in which God places His church by giving it the hostile powers of the world as a spoil is depicted. The noun אמר, never occurring in the genitival relationship, and never with a suffix, because the specific character of the form would be thereby obliterated, always denotes an important utterance, more particularly God's word of promise (Psa 77:9), or His word of power (Hab 3:9), which is represented elsewhere as a mighty voice of thunder (Psa 68:34, Isa 30:30), or a trumpet-blast (Zac 9:14); in the present instance it is the word of power by which the Lord suddenly changes the condition of His oppressed church. The entirely new state of things which this omnipotent behest as it were conjures into existence is presented to the mind in v. 12b: the women who proclaim the tidings of victory - a great host. Victory and triumph follow upon God's אמר, as upon His creative יהי. The deliverance of Israel from the army of Pharaoh, the deliverance out of the hand of Jabin by the defeat of Sisera, the victory of Jephthah over the Ammonites, and the victorious single combat of David with Goliath were celebrated by singing women. God's decisive word shall also go forth this time, and of the evangelists, like Miriam (Mirjam) and Deborah, there shall be a great host.\nPsa 68:12 describes the subject of this triumphant exultation. Hupfeld regards Psa 68:13-15 as the song of victory itself, the fragment of an ancient triumphal ode (epinikion) reproduced here; but there is nothing standing in the way that should forbid our here regarding these verses as a direct continuation of Psa 68:12. The \"hosts\" are the numerous well-equipped armies which the kings of the heathen lead forth to the battle against the people of God. The unusual expression \"kings of hosts\" sounds very much like an ironically disparaging antithesis to the customary \"Jahve of Hosts\" (Bttcher). He, the Lord, interposes, and they are obliged to flee, staggering as they go, to retreat, and that, as the anadiplosis (cf. Jdg 5:7; Jdg 19:20) depicts, far away, in every direction. The fut. energicum with its ultima-accentuation gives intensity to the pictorial expression. The victors then turn homewards laden with rich spoils. נות בּית, here in a collective sense, is the wife who stays at home (Jdg 5:24) while the husband goes forth to battle. It is not: the ornament (נוה as in Jer 6:2) of the house, which Luther, with the lxx, Vulgate, and Syriac, adopts in his version, \n(Note: \"Hausehre,\" says he, is the housewife or matron as being the adornment of the house; vid., F. Dietrich, Frau und Dame, a lecture bearing upon the history of language (1864), S. 13.)\nbut: the dweller or homely one (cf. נות, a dwelling-lace, Job 8:6) of the house, ἡ οἰκουρός. The dividing of the spoil elsewhere belongs to the victors; what is meant here is the distribution of the portions of the spoil that have fallen to the individual victors, the further distribution of which is left for the housewife (Jdg 5:30., Sa2 1:24). Ewald now recognises in Psa 68:14. the words of an ancient song of victory; but v. 13b is unsuitable to introduce them. The language of address in Psa 68:14 is the poet's own, and he here describes the condition of the people who are victorious by the help of their God, and who again dwell peaceably in the land after the war. אם passes out of the hypothetical signification into the temporal, as e.g., in Job 14:14 (vid., on Psa 59:16). The lying down among the sheep-folds (שׁפתּים = משׁפּתים, cf. שׁפט, משׁפּט, the staked-in folds or pens consisting of hurdles standing two by two over against one another) is an emblem of thriving peace, which (like Psa 68:8, Psa 68:28) points back to Deborah's song, Jdg 5:16, cf. Gen 49:14. Just such a time is now also before Israel, a time of peaceful prosperity enhanced by rich spoils. Everything shall glitter and gleam with silver and gold. Israel is God's turtle-dove, Psa 74:19, cf. Psa 56:1, Hos 7:11; Hos 11:11. Hence the new circumstances of ease and comfort are likened to the varied hues of a dove disporting itself in the sun. Its wings are as though overlaid with silver (נחפּה, not 3. praet, but part. fem. Niph. as predicate to כּנפי, cf. Sa1 4:15; Mic 4:11; Mic 1:9; Ew. 317 a), therefore like silver wings (cf. Ovid, Metam. ii. 537: Niveis argentea pennis Ales); and its pinions with gold-green, \n(Note: Ewald remarks, \"Arabian poets also call the dove Arab. 'l-wrq'â, the greenish yellow, golden gleaming one, vid., Kosegarten, Chrestom. p. 156, 5.\" But this Arabic poetical word for the dove signifies rather the ash-green, whity blackish one. Nevertheless the signification greenish for the Hebrew ירקרק is established. Bartenoro, on Negaim xi. 4, calls the colour of the wings of the peacock ירקרק; and I am here reminded of what Wetzstein once told me, that, according to an Arab proverb, the surface of good coffee ought to be \"like the neck of the dove,\" i.e., so oily that it gleams like the eye of a peacock. A way for the transition from green to grey in aurak as the name of a colour is already, however, opened up in post-biblical Hebrew, when to frighten any one is expressed by פנים הוריק, Genesis Rabba, 47a. The intermediate notions that of fawn colour, i.e., yellowish grey. In the Talmud the plumage of the full-grown dove is called זהוב and צהוב, Chullin, 22b.)\nand that, as the reduplicated form implies, with the iridescent or glistening hue of the finest gold (חרוּץ, not dull, but shining gold).\nSide by side with this bold simile there appears in v. 15 an equally bold but contrastive figure, which, turning a step or two backward, likewise vividly illustrates the results of their God-given victory. The suffix of בּהּ refers to the land of Israel, as in Isa 8:21; Isa 65:9. צלמום, according to the usage of the language so far as it is now preserved to us, is not a common noun: deep darkness (Targum = צלמות), it is the name of a mountain in Ephraim, the trees of which Abimelech transported in order to set fire to the tower of Shechem (Jdg 9:48.). The Talmudic literature was acquainted with a river taking its rise there, and also somewhat frequently mentions a locality bearing a similar name to that of the mountain. The mention of this mountain may in a general way be rendered intelligible by the consideration that, like Shiloh (Gen 49:10), it is situated about in the centre of the Holy Land.\n(Note: In Tosifta Para, ch. viii., a river of the name of יורדת הצלמון is mentioned, the waters of which might not be used in preparing the water of expiation (מי חטאת), because they were dried up at the time of the war, and thereby hastened the defeat of Israel (viz., the overthrow of Barcochba). Grtz \"Geschichte der Juden, iv. 157, 459f.) sees in it the Nahar Arsuf, which flows down the mountains of Ephraim past Bethar into the Mediterranean. The village of Zalmon occurs in the Mishna, Jebamoth xvi. 6, and frequently. The Jerusalem Gemara (Maaseroth i. 1) gives pre-eminence to the carob-trees of Zalmona side by side with those of Shitta and Gadara.) \nהשׁליג signifies to bring forth snow, or even, like Arab. aṯlj, to become snow-white; this Hiph. is not a word descriptive of colour, like הלבּין. Since the protasis is בּפרשׂ, and not בּפרשׂך, תּשׁלג is intended to be impersonal (cf. Psa 50:3; Amo 4:7, Mich. Psa 3:6); and the voluntative form is explained from its use in apodoses of hypothetical protases (Ges. 128, 2). It indicates the issue to which, on the supposition of the other, it must and shall come. The words are therefore to be rendered: then it snows on Zalmon; and the snowing is either an emblem of the glistening spoil that falls into their hands in such abundance, or it is a figure of the becoming white, whether from bleached bones (cf. Virgil, Aen. v. 865: albi ossibus scopuli; xii. 36: campi ossibus albent; Ovid, Fasti i. 558: humanis ossibus albet humus) or even from the naked corpses (Sa2 1:19, על־בּמותיך חלל). Whether we consider the point of comparison to lie in the spoil being abundant as the flakes of snow, and like to the dazzling snow in brilliancy, or in the white pallid corpses, at any rate בּצלמון is not equivalent to כּבצלמון, but what follows \"when the Almighty scatters kings therein\" is illustrated by Zalmon itself. In the one case Zalmon is represented as the battle-ground (cf. Psa 110:6), in the other (which better corresponds to the nature of a wooded mountain) as a place of concealment. The protasis בפרשׂ וגו favours the latter; for פּרשׂ signifies to spread wide apart, to cause a compact whole - and the host of \"the kings\" is conceived of as such - to fly far asunder into many parts (Zac 2:10, cf. the Niph. in Eze 17:21). The hostile host disperses in all directions, and Zalmon glitters, as it were with snow, from the spoil that is dropped by those who flee. Homer also (Iliad, xix. 357-361) likens the mass of assembled helmets, shields, armour, and lances to the spectacle of a dense fall of snow. In this passage of the Psalm before us still more than in Homer it is the spectacle of the fallen and far seen glistening snow that also is brought into the comparison, and not merely that which is falling and that which covers everything (vid., Iliad, xii. 277ff.). The figure is the pendant of the figure of the dove.\n(Note: Wetzstein gives a different explanation (Reise in den beiden Trachonen und um das Haura=ngebirge in the Zeitscheift fr allgem. Erdkunde, 1859, S. 198). \"Then fell snow on Zalmon, i.e., the mountain clothed itself in a bright garment of light in celebration of this joyous event. Any one who has been in Palestine knows how very refreshing is the spectacle of the distant mountain-top capped with snow. The beauty of this poetical figure is enhanced by the fact that Zalmon (Arab. ḏlmân), according to its etymology, signifies a mountain range dark and dusky, either from shade, forest, or black rock. The last would well suit the mountains of Haurn, among which Ptolemaeus (p. 365 and 370, Ed. Wilberg) mentions a mountain (according to one of the various readings) Ἀσαλμάνος.\") \n"]},{"type":"verse","number":15,"content":["This victory of Israel over the kings of the Gentiles gives the poet the joyful assurance that Zion is the inaccessible dwelling-place of Elohim, the God of the heavenly hosts. The mention of Zalmon leads him to mention other mountains. He uses the mountains of Bashan as an emblem of the hostile powers east of Jordan. These stand over against the people of God, as the mighty mountains of Bashan rising in steep, only slightly flattened peaks, to little hill-like Zion. In the land on this side Jordan the limestone and chalk formation with intermingled strata of sandstone predominates; the mountains of Bashan, however, are throughout volcanic, consisting of slag, lava, and more particularly basalt (basanites), which has apparently taken its name from Bashan (Basan).\n(Note: This is all the more probable as Semitism has no proper word for basalt; in Syria it is called hag'ar aswad, \"black stone.\")\nAs a basalt range the mountains of Bashan are conspicuous among other creations of God, and are therefore called \"the mountain of Elohim:\" the basalt rises in the form of a cone with the top lopped off, or even towers aloft like so many columns precipitous and rugged to sharp points; hence the mountains of Bashan are called הר גּבננּים, i.e., a mountain range (for הר, as is well known, signifies both the single eminence and the range of summits) of many peaks = a many-peaked mountain; גּבנן is an adjective like רענן, אמלל. With this boldly formed mass of rock so gloomily majestic, giving the impression of antiquity and of invincibleness, when compared with the ranges on the other side of unstable porous limestone and softer formations, more particularly with Zion, it is an emblem of the world and its powers standing over against the people of God as a threatening and seemingly invincible colossus. The poet asks these mountains of Bashan \"why,\" etc.? רצד is explained from the Arabic rṣd, which, in accordance with its root Arab. rṣ, signifies to cleave firmly to a place (firmiter inhaesit loco), properly used of a beast of prey couching down and lying in wait for prey, of a hunter on the catch, and of an enemy in ambush; hence then: to lie in wait for, lurk, ἐνεδρεύειν, craftily, insidiose (whence râṣid, a lier-in-wait, tarraṣṣud, an ambush), here: to regard enviously, invidiose. In Arabic, just as in this instance, it is construed as a direct transitive with an accusative of the object, whereas the original signification would lead one to look for a dative of the object (רצד ל), which does also really occur in the common Arabic. Olewejored is placed by גבננים, but what follows is not, after all, the answer: \"the mountain - Elohim has chosen it as the seat of His throne,\" but ההר is the object of the interrogative clause: Quare indiviose observatis, montes cacuminosi, hunc montem (δεικτικῶς: that Zion yonder), quem, etc. (an attributive clause after the determinate substantive, as in Psa 52:9; Psa 89:50, and many other instances, contrary to the Arabic rule of style). Now for the first time, in Psa 68:17, follows that which is boastfully and defiantly contrasted with the proud mountains: \"Jahve will also dwell for ever;\" not only that Elohim has chosen Zion as the seat of His throne, it will also continue to be the seat of His throne, Jahve will continue to dwell [there] for ever. Grace is superior to nature, and the church superior to the world, powerful and majestic as this may seem to be. Zion maintains its honour over against the mountains of Bashan.\nPsa 68:18\nPsa 68:18 now describes the kind of God, so to speak, who sits enthroned on Zion. The war-chariots of the heavenly hosts are here collectively called רכב, as in Kg2 6:17. רבּתים (with Dech, not Olewejored) is a dual from רבּות; and this is either an abstract noun equivalent to רבּוּת (from which comes the apocopated רבּו = רבּוּ), a myriad, consequently רבּתים, two myriads, or a contracted plural out of רבּאחת, Ezr 2:69, therefore the dual of a plural (like הומותים, לוּהותים): an indefinite plurality of myriads, and this again doubled (Hofmann). With this sense, in comparison with which the other is poor and meagre, also harmonies the expression אלפי שׂנאן, thousands of repetition (ἅπαξ λεγομ = שׂנין), i.e., thousands and again thousands, numberless, incalculable thousands; cf. the other and synonymous expression in Dan 7:10.\n(Note: Tradition (Targum, Saadia, and Abulwald) takes שׂנאן forthwith as a synonym of מלאך, an angel. So also the lxx (Jerome): χιλιάδες εὐθηνούντων (שׁנאן = שׁאנן), and Symmachus, χιλιάδες ὴχούντων (from שׁאה?). The stem-word is, however, שׁנה, just as שׁנים, Arabic thinân, ithnân, is also formed from a singular that is to be assumed, viz., שׁן, Arab. ṯinun (iṯnun), and this from שׁנה, Arab. ṯnâ (cf. בּן from בּנה, Arab. banâ).)\nIt is intended to give a conception of the \"hosts\" which Elohim is to set in array against the \"kings of hosts,\" i.e., the martial power of the kingdom of the world, for the protection and for the triumph of His own people. Chariots of fire and horses of fire appear in Kg2 2:11; Kg2 6:17 as God's retinue; in Dan 7:10 it is angelic forces that thus make themselves visible. They surround Him on both sides in many myriads, in countless thousands. אדני בם (with Beth raphatum), \n(Note: This is one of the three passages (the others being Isa 34:11; Eze 23:42; cf. Ew. 93, b) in which the dageshing of the opening mute of the following word is given up after a soft final consonant, when the words are connected by a conjunctive accent or Makkeph.))\nthe Lord is among them (cf. Isa 45:14), i.e., they are round about Him, He has them with Him (Jer 41:15), and is present with them. It now becomes clear why Sinai is mentioned, viz., because at the giving of the Law Jahve revealed Himself on Sinai surrounded by \"ten thousands of saints\" (Deu 33:2.). But in what sense is it mentioned? Zion, the poet means, presents to the spiritual eye now a spectacle such as Sinai presented in the earlier times, although even Sinai does not belong to the giants among the mountains: \n(Note: Cf. the epigram in Sadi's Garden of Roses, \"Of all mountains Sinai is the smallest, and yet the greatest in rank and worth in the estimation of God,\" etc. On the words סיני בקדשׁ which follow we may to a certain extent compare the name of honour given to it in Arabic, ṭûr m‛ana, \"Sinai of Pensiveness\" (Pertsch, Die persischen Handschriften der Gothaer Bibliothek, 1859, S. 24).)\nGod halts there with His angel host as a protection and pledge of victory to His people. The conjectures בא מסיני and בם מסיני (Hitzig) are of no use to us. We must either render it: Sinai is in the sanctuary, i.e., as it were transferred into the sanctuary of Zion; or: a Sinai is it in holiness, i.e., it presents a spectacle such as Sinai presented when God by His appearing surrounded it with holiness. The use of the expression בּקּדשׂ in Psa 68:25, Psa 77:14; Exo 15:11, decides in favour of the latter rendering.\nWith Psa 68:19 the Psalm changes to prayer. According to Psa 7:8; Psa 47:6, למּרום appears to be the height of heaven; but since in Psa 68:16-18 Zion is spoken of as Jahve's inaccessible dwelling-place, the connection points to מרום ציּון, Jer 31:12, cf. Eze 17:23; Eze 20:40. Moreover the preterites, which under other circumstances we should be obliged to take as prophetic, thus find their most natural explanation as a retrospective glance at David's storming of \"the stronghold of Zion\" (Sa2 5:6-10) as the deed of Jahve Himself. But we should exceed the bounds of legitimate historical interpretation by referring לקחתּ מתּנות בּאדם to the Nethı̂nim, Ezr 8:20 (cf. Num 17:6), those bondmen of the sanctuary after the manner of the Gibeonites, Jos 9:23. The Beth of באדם is not Beth substantiae: gifts consisting of men, so that these themselves are the thing given (J. D. Michaelis, Ewald), but the expression signifies inter homines, as in Psa 78:60; Sa2 23:3; Jer 32:20. עלית למּרום mentions the ascending of the triumphant One; שׁבית שּׁבי (cf. Jdg 5:12), the subjugation of the enemy; לקחתּ וגו, the receiving of the gifts betokening homage and allegiance (Deu 28:38, and frequently), which have been presented to Him since He has taken possession of Zion - there He sits enthroned henceforth over men, and receives gifts like to the tribute which the vanquished bring to the victor. These He has received among men, and even (ואף, atque etiam, as in Lev 26:29-32) among the rebellious ones. Or does a new independent clause perhaps begin with ואף סוררים? This point will be decided by the interpretation of the words that follow. Side by side with an infinitive with ל expressing a purpose, the one following noun (here a twofold name) has the assumption against it of being the subject. Is יה אלהים then consequently the object, or is it an apostrophe? If it be taken as the language of address, then the definition of the purpose, לשׁכן, ought, as not being suited to what immediately precedes, to refer back to עלית; but this word is too far off. Thus, therefore, the construction of יה אלהים with לשכן, as its object, is apparently intended (Ewald, Hupfeld): and even the rebellious are to dwell (Ges. 132, rem. 1) with Jāh Elohim descend and dwell; the Syriac version: and even the rebellious will (\"not\" is probably to be crossed out) dwell before God (יעמדון קדם אלהא); and Jerome: insuper et non credentes inhabitare Dominum Deum. Thus Theodoret also understands the versions of the lxx and of Aquila: \"Thou hast not regarded their former disobedience, but notwithstanding their rebellion hast Thou continually been gracious to them ἕως αὐτοὺς oikeetee'rion oikei'on ape'feenas.\" The expression, however, sounds too grand to have \"the rebellious ones\" as its subject, and more particularly in view of Psa 68:7. Hence we take ואף סוררים with בּאדם: and even among rebellious ones (hast Thou received gifts), or: and even rebellious ones (give Thee); and לשׁכן as a clause denoting the purpose, followed by the subject (as e.g., in Sa2 19:20): in order that Jāh Elohim may dwell, i.e., continue to dwell (as in Psa 68:17, cf. Isa 57:15).\nThe first half of the Psalm ends here. With the words Jāh Elohim the Psalm has reached a summit upon which it takes its rest. God has broken forth on behalf of His people against their enemies, and He now triumphs over and on behalf of men. The circumstance of Elohim arising is the raise of the final glory, and His becoming manifest as Jāh Elohim is its zenith. Paul (Eph 4:8) gathers up the meaning of Psa 68:19, without following the lxx, in the following manner: ἀναβὰς εἰς ὕψος ᾐχμαλώτευσεν αιχμαλωσίαν καὶ ἔδωκε δόματα τοῖς ἀνθρώποις. Might he perhaps have had the Targum, with which the Syriac version agrees, in his mind at the time: יחבתּא להון מתנן לבני נשׂא? He interprets in the light and in the sense of the history that realizes it. For the ascension of Elohim in its historical fulfilment is none other than the ascension of Christ. This latter was, however, as the Psalm describes it, a triumphal procession (Col 2:15); and what the Victor has gained over the powers of darkness and of death, He has gained not for His own aggrandisement, but for the interests of men. It is מתּנות בּאדם, gifts which He now distributes among men, and which benefit even the erring ones. So the apostle takes the words, inasmuch as he changes ἔλαβες into ἔδωκε. The gifts are the charismata which come down from the Exalted One upon His church.\n(Note: In this respect Ps 68 is the most appropriate Psalm for the Dominica Pentecostes, just as it is also, in the Jewish ritual, the Psalm of the second Shabuoth day.)\nIt is a distribution of gifts, a dispensing of blessing, which stands related to His victory as its primary cause; for as Victor He is also the possessor of blessing, His gifts are as it were the spoils of the victory He has gained over sin, death, and Satan.\n(Note: Just so Hlemann in the second division of his Bibelstudien (1861); whereas to Hormann (Schriftbeweis, ii. 482ff.) the New Testament application of the citation from the Psalm is differently brought about, because he refers neither ᾐχμαλώτευσεν αἰχμαλωσίαν nor κατέβη εἰς τὰ κατώτερα μέρη τῆς γῆς to the descent of the Lord into Hades.)\nThe apostle is the more warranted in this interpretation, since Elohim in what follows is celebrated as the Lord who also brings out of death. This praise in the historical fulfilment applies to Him, who, as Theodoret observes on Psa 68:21, has opened up the prison-house of death, which for us had no exit, and burst the brazen doors, and broken asunder the iron bolts, \n(Note: Just so that portion of the Gospel of Nicodemus that treats of Christ's descent into Hades; vis. Tischendorf, Evangelia Apocryph. (1853), p. 307.) \nviz., to Jesus Christ, who now has the keys of Death and of Hades. \n"]},{"type":"verse","number":19,"content":["Now begins the second circuit of the hymn. Comforted by the majestic picture of the future that he has beheld, the poet returns to the present, in which Israel is still oppressed, but yet not forsaken by God. The translation follows the accentuation, regular and in accordance with the sense, which has been restored by Baer after Heidenheim, viz., אדני has Zarka, and יעמס לנוּ Olewejored preceded by the sub-distinctive Rebia parvum; it is therefore: Benedictus Dominator: quotidie bajulat nobis, - with which the Targum, Rashi, and Kimchi agree.\n(Note: According to the customary accentuation the second יום has Mercha or Olewejored, and יעמס־לנוּ, Mugrash. But this Mugrash has the position of the accents of the Silluk-member against it; for although it does exceptionally occur that two conjunctives follow Mugrash (Accentsystem, xvii. 5), yet these cannot in any case be Mahpach sarkatum and Illui.)\nעמס, like נשׂא and סבל, unites the significations to lay a burden upon one (Zac 12:3; Isa 46:1, Isa 46:3), and to carry a burden; with על it signifies to lay a burden upon any one, here with ל to take up a burden for any one and to bear it for him. It is the burden or pressure of the hostile world that is meant, which the Lord day by day helps His church to bear, inasmuch as He is mighty by His strength in her who of herself is so feeble. The divine name אל, as being the subject of the sentence, is האל: God is our salvation. The music here again strikes in forte, and the same thought that is emphasized by the music in its turn, is also repeated in Psa 68:21 with heightened expression: God is to us a God למושׁעות, who grants us help in rich abundance. The pluralet. denotes not so much the many single proofs of help, as the riches of rescuing power and grace. In Psa 68:21 למּות corresponds to the לנוּ; for it is not to be construed תּוצאות למּות: Jahve's, the Lord, are the outgoings to death (Bttcher), i.e., He can command that one shall not fall a prey to death. תוצאות, the parallel word to מושׁעות, signifies, and it is the most natural meaning, the escapings; יצא, evadere, as in Sa1 14:41; Kg2 13:5; Ecc 7:18. In Jahve's power are means of deliverance for death, i.e., even for those who are already abandoned to death. With אך a joyously assuring inference is drawn from that which God is to Israel. The parallelism of the correctly divided verse shows that ראשׁ here, as in Psa 110:6, signifies caput in the literal sense, and not in the sense of princeps. The hair-covered scalp is mentioned as a token of arrogant strength, and unhumbled and impenitent pride, as in Deu 32:42, and as the Attic koma'n directly signifies to strut along, give one's self airs. The genitival construction is the same as in Isa 28:1, Isa 32:13. The form of expression refers back to Num 24:17, and so to speak inflects this primary passage very similarly to Jer 48:45. If קדקד שׂער be an object, then ראשׁ ought also to be a second object (that of the member of the body); the order of the words does not in itself forbid this (cf. Psa 3:8 with Deu 33:11), but would require a different arrangement in order to avoid ambiguities.\nIn Psa 68:23 the poet hears a divine utterance, or records one that he has heard: \"From Bashan will I bring back, I will bring back from the eddies of the sea (from צוּל = צלל, to whiz, rattle; to whirl, eddy), i.e., the depths or abysses of the sea.\" Whom? When after the destruction of Jerusalem a ship set sail for Rome with a freight of distinguished and well-formed captives before whom was the disgrace of prostitution, they all threw themselves into the sea, comforting themselves with this passage of Scripture (Gittin 57b, cf. Echa Rabbathi 66a). They therefore took Psa 68:23 to be a promise which has Israel as its object; \n(Note: So also the Targum, which understands the promise to refer to the restoration of the righteous who have been eaten by wild beasts and drowned in the sea (Midrash: מבשׁן = מבין שׁני אריות); cf. also the things related from the time of the Khaliphs in Jost's Geschichte des Judenthums, ii. 399, and Grtz' Gesch. der Juden, v. 347.)\nbut the clause expressing a purpose, Psa 68:24, and the paraphrase in Amo 9:2., show that the foes of Israel are conceived of as its object. Even if these have hidden themselves in the most out-of-the-way places, God will fetch them back and make His own people the executioners of His justice upon them. The expectation is that the flight of the defeated foes will take a southernly direction, and that they will hide themselves in the primeval forests of Bashan, and still farther southward in the depths of the sea, i.e., of the Dead Sea (ים as in Isa 16:8; Ch2 20:2). Opposite to the hiding in the forests of the mountainous Bashan stands the hiding in the abyss of the sea, as the extreme of remoteness, that which is in itself impossible being assumed as possible. The first member of the clause expressing the purpose, Psa 68:24, becomes more easy and pleasing if we read תּרחץ (lxx, Syriac, and Vulgate, ut intingatur), according to Psa 58:11. So far as the letters are concerned, the conjecture תּחמץ (from which תמחץ, according to Chajug', is transposed), after Isa 63:1, is still more natural (Hitzig): that thy foot may redden itself in blood. This is certainly somewhat tame, and moreover מדּם would be better suited to this rendering than בּדם. As the text now stands, תּמחץ\n(Note: The Gaja of the first closed syllable warns one to make a proper pause upon it, in order that the guttural of the second, so apt to be slurred over, may be distinctly pronounced; cf. תּבחר, Psa 65:5; הרחיק, Psa 103:12. So also with the sibilants at the beginning of the second syllable, e.g., תּדשׁא, Gen 1:11, in accordance with which, in Gen 14:1; 53:2, we must write השׁתיתו והתעיבו.)\nis equivalent to תּמחצם (them, viz., the enemies), and רגלך בּדם is an adverbial clause (setting or plunging thy foot in blood). It is, however, also possible that מחץ is used like Arab. machaḍa (vehementer commovere): ut concutias s. agites pedem tuam in sanguine. Can it now be that in Psa 68:24 from among the number of the enemies of the one who goes about glorying in his sins, the רשׁע κατ ̓ ἐξοχήν (cf. Isa 11:4; Hab 3:13, and other passages), is brought prominently forward by מנּהוּ? Hardly so; the absence of תּלק (lambat) cannot be tolerated, cf. Kg1 21:19; Kg1 22:38. It is more natural, with Simonis, to refer מנּהוּ back to לשׁון (a word which is usually fem., but sometimes perhaps is masc., Psa 22:16; Pro 26:28); and, since side by side with ממּנוּ only מנהוּ occurs anywhere else (Ew. 263, b), to take it in the signification pars ejus (מן from מנן = מגה, after the form גּז, חן, קץ, of the same meaning as מגה, מנת, Psa 63:11), in favour of which Hupfeld also decides.\nWhat is now described in Psa 68:25-28, is not the rejoicing over a victory gained in the immediate past, nor the rejoicing over the earlier deliverance at the Red Sea, but Israel's joyful celebration when it shall have experienced the avenging and redemptive work of its God and King. According to Psa 77:14; Hab 3:6, הליכות appears to be God's march against the enemy; but what follows shows that the pompa magnifica of God is intended, after He has overcome the enemy. Israel's festival of victory is looked upon as a triumphal procession of God Himself, the King, who governs in holiness, and has now subjugated and humbled the unholy world; בּקּדשׁ as in Psa 68:18. The rendering \"in the sanctuary' is very natural in this passage, but Exo 15:11; Psa 77:14, are against it. The subject of ראוּ is all the world, more especially those of the heathen who have escaped the slaughter. The perfect signifies: they have seen, just as קדּמוּ, they have occupied the front position. Singers head the procession, after them (אחר,\n(Note: This אחר, according to B. Nedarim 37b, is a so-called עטור סופרים (ablatio scribarum), the sopherim (sofrim) who watched over the faithful preservation of the text having removed the reading ואחר, so natural according to the sense, here as in Gen 18:5; Gen 24:55; Num 31:2, and marked it as not genuine.)\nan adverb as in Gen 22:13; Exo 5:1) players upon citherns and harps (נגנים, participle to נגּן), and on either side virgins with timbrels (Spanish adufe); תּופפות, apocopated part. Poel with the retension of ē (cf. שׁוקקה, Psa 107:9), from תּפף, to strike the תּף (Arab. duff). It is a retrospective reference to the song at the Sea, now again come into life, which Miriam and the women of Israel sang amidst the music of timbrels. The deliverance which is now being celebrated is the counterpart of the deliverance out of Egypt. Songs resound as in Psa 68:27, \"in gatherings of the congregation (and, so to speak, in full choirs) praise ye Elohim.\" מקהלות (מקהלים, Psa 26:12) is the plural to קהל (Psa 22:23), which forms none of its own (cf. post-biblical קהלּות from קהלּה). Psa 68:27 is abridged from ברכו אדני אשׁר אתם ממקור ישראל, praise ye the Lord, ye who have Israel for your fountainhead. אדני, in accordance with the sense, has Mugrash. Israel is here the name of the patriarch, from whom as from its fountainhead the nation has spread itself abroad; cf. Isa 48:1; Isa 51:1, and as to the syntax ממּך, those who descend from thee, Isa 58:12. In the festive assembly all the tribes of Israel are represented by their princes. Two each from the southern and northern tribes are mentioned. Out of Benjamin was Israel's first king, the first royal victor over the Gentiles; and in Benjamin, according to the promise (Deu 33:12) and according to the accounts of the boundaries (Jos 18:16., Jos 15:7.), lay the sanctuary of Israel. Thus, therefore, the tribe which, according both to order of birth (Gen 43:29.) and also extent of jurisdiction and numbers (Sa1 9:21), was \"little,\" was honoured beyond the others.\n(Note: Tertullian calls the Apostle Paul, with reference to his name and his Benjamitish origin, parvus Benjamin, just as Augustine calls the poetess of the Magnificat, nostra tympanistria.)\nJudah, however, came to the throne in the person of David, and became for ever the royal tribe. Zebulun and Naphtali are the tribes highly praised in Deborah's song of victory (Jdg 5:18, cf. Psa 4:6) on account of their patriotic bravery. רדם, giving no sense when taken from the well-known verb רדם, falls back upon רדה, and is consequently equivalent to רדם (cf. Lam 1:13), subduing or ruling them; according to the sense, equivalent to רדה בם (1 Kings 5:30; Kg1 9:23; Ch2 8:10), like המּצלם, not \"their leader up,\" but ὁ ἀναγαγὼν αὐτοὺς, Isa 63:11, not = רדיהם (like עשׂיהם, ראיהם), which would signify their subduer or their subduers. The verb רדה, elsewhere to subjugate, oppress, hold down by force, Eze 34:4; Lev 25:53, is here used of the peaceful occupation of the leader who maintains the order of a stately and gorgeous procession. For the reference to the enemies, \"their subduer,\" is without any coherence. But to render the parallel word רגמתם \"their (the enemies') stoning\" (Hengstenberg, Vaihinger, and others, according to Bttcher's \"Proben\"), is, to say nothing more, devoid of taste; moreover רגם does not mean to throw stones with a sling, but to stone as a judicial procedure. If we assign to the verb רגם the primary signification congerere, accumulare, after Arab. rajama VIII, and rakama, then רגמתם signifies their closely compacted band, as Jewish expositors have explained it (קהלם או קבוצם). Even if we connect רגם with רקם, variegare, or compare the proper name regem = Arab. rajm, socius (Bttcher), we arrive at much the same meaning. Hupfeld's conjecture רגשׁתם is consequently unnecessary. \n"]},{"type":"verse","number":28,"content":["The poet now looks forth beyond the domain of Israel, and describes the effects of Jahve's deed of judgment and deliverance in the Gentile world. The language of Psa 68:29 is addressed to Israel, or rather to its king (Psa 86:16; Psa 110:2): God, to whom everything is subject, has given Israel עז, victory and power over the world. Out of the consciousness that He alone can preserve Israel upon this height of power upon which it is placed, who has placed it thereon, grows the prayer: establish (עוּזּה with וּ for ŭ, as is frequently the case, and with the accent on the ultima on account of the following Aleph, vid., on Psa 6:5), Elohim, that which Thou hast wrought for us; עזז, roborare, as in Pro 8:28; Ecc 7:19, lxx δυνάμωσον, Symmachus ἐνίσχυσον. It might also be interpreted: show Thyself powerful (cf. רוּמה, 21:14), Thou who (Isa 42:24) hast wrought for us (פּעל as in Isa 43:13, with ל, like עשׂה ל, Isa 64:3); but in the other way of taking it the prayer attaches itself more sequentially to what precedes, and Psa 62:12 shows that זוּ can also represent the neuter. Hitzig has a still different rendering: the powerful divine help, which Thou hast given us; but although - instead of -ת in the stat. construct. is Ephraimitish style (vid., on Psa 45:5), yet עוּזּה for עז is an unknown word, and the expression \"from Thy temple,\" which is manifestly addressed to Elohim, shows that פּעלתּ is not the language of address to the king (according to Hitzig, to Jehoshaphat). The language of prayerful address is retained in Psa 68:30. From the words מהיכלך על ירושׁלם there is nothing to be transported to Psa 68:29 (Hupfeld); for Psa 68:30 would thereby become stunted. The words together are the statement of the starting-point of the oblations belonging to יובילוּ: starting from Thy temple, which soars aloft over Jerusalem, may kings bring Thee, who sittest enthroned there in the Holy of holies, tributary gifts (שׁי as in Psa 76:12; Psa 18:7). In this connection (of prayer) it is the expression of the desire that the Temple may become the zenith or cynosure, and Jerusalem the metropolis, of the world. In this passage, where it introduces the seat of religious worship, the taking of מן as expressing the primary cause, \"because or on account of Thy Temple\" (Ewald), is not to be entertained.\nIn Psa 68:31 follows a summons, which in this instance is only the form in which the prediction clothes itself. The \"beast of the reed\" is not the lion, of which sojourn among the reeds is not a characteristic (although it makes its home inter arundineta Mesopotamiae, Ammianus, Psa 18:7, and in the thickets of the Jordan, Jer 49:19; Jer 50:44; Zac 11:3). The reed is in itself an emblem of Egypt (Isa 36:6, cf. Psa 19:6), and it is therefore either the crocodile, the usual emblem of Pharaoh and of the power of Egypt (Eze 29:3, cf. Psa 74:13.) that is meant, or even the hippopotamus (Egyptian p-ehe-môut), which also symbolizes Egypt in Isa 30:6 (which see), and according to Job 40:21 is more appropriately than the crocodile (התנין אשׁר בּיּם, Isa 27:1) called היּת קנה. Egypt appears here as the greatest and most dreaded worldly power. Elohim is to check the haughty ones who exalt themselves over Israel and Israel's God. אבּירים, strong ones, are bulls (Psa 22:13) as an emblem of the kings; and עגלי explains itself by the genit. epexeg. עמּים .gexep: together with (Beth of the accompaniment as in Psa 68:31, Psa 66:13, and beside the plur. humanus, Jer 41:15) the calves, viz., the peoples, over whom those bulls rule. With the one emblem of Egypt is combined the idea of defiant self-confidence, and with the other the idea of comfortable security (vid., Jer 46:20.). That which is brought prominently forward as the consequence of the menace is moulded in keeping with these emblems. מתרפּס, which has been explained by Flaminius substantially correctly: ut supplex veniat, is intended to be taken as a part. fut. (according to the Arabic grammar, ḥâl muqaddar, lit., a predisposed condition). It thus comprehensively in the singular (like עבר in Psa 8:9) with one stroke depicts thoroughly humbled pride; for רפס (cf. רמס) signifies to stamp, pound, or trample, to knock down, and the Hithpa. either to behave as a trampling one, Pro 6:3, or to trample upon one's self, i.e., to cast one's self violently upon the ground. Others explain it as conculcandum se praebere; but such a meaning cannot be shown to exist in the sphere of the Hebrew Hithpael; moreover this \"suffering one's self to be trampled upon\" does not so well suit the words, which require a more active sense, viz., בּרצּי־כסףcep, in which is expressed the idea that the riches which the Gentiles have hitherto employed in the service of God-opposed worldliness, are no offered to the God of Israel by those who both in outward circumstances and in heart are vanquished (cf. Isa 60; 9). רץ־כּסף (from רצץ, confringere) is a piece of uncoined silver, a bar, wedge, or ingot of silver. In בּזּר there is a wide leap from the call גּער to the language of description. This rapid change is also to be found in other instances, and more especially in this dithyrambic Psalm we may readily give up any idea of a change in the pointing, as בּזּר or בּזּר (lxx διασκόρπισον); בּזּר, as it stands, cannot be imperative (Hitzig), for the final vowel essential to the imperat. Piel is wanting. God hath scattered the peoples delighting in war; war is therefore at an end, and the peace of the world is realized.\nIn Psa 68:32, the contemplation of the future again takes a different turn: futures follow as the most natural expression of that which is future. The form יאתיוּ, more usually found in pause, here stands pathetically at the beginning, as in Job 12:6. השׁמנּים, compared with the Arabic chšm (whence Arab. chaššm, a nose, a word erroneously denied by Gesenius), would signify the supercilious, contemptuous (cf. Arab. âšammun, nasutus, as an appellation of a proud person who will put up with nothing). On the other hand, compared with Arab. ḥšm, it would mean the fat ones, inasmuch as this verbal stem (root Arab. ḥšš, cf. השׁרת, Sa2 22:12), starting from the primary signification \"to be pressed together,\" also signifies \"to be compressed, become compact,\" i.e., to regain one's plumpness, to make flesh and fat, applied, according to the usage of the language, to wasted men and animals. The commonly compared Arab. ḥšı̂m, vir magni famulitii, is not at all natural, - a usage which is brought about by the intransitive signification proper to the verb starting from its radical signification, \"to become or be angry, to be zealous about any one or anything,\" inasmuch as the nomen verbale Arab. hạšamun signifies in the concrete sense a person, or collectively persons, for whose maintenance, safety, and honour one is keenly solicitous, such as the members of the family, household attendants, servants, neighbours, clients or protgs, guest-friends; also a thing which one ardently seeks, and over the preservation of which one keeps zealous watch (Fleischer). Here there does not appear to be any connecting link whatever in the Arabic which might furnish some hold for the Hebrew; hence it will be more advisable, by comparison of השׁמל and חשׁן, to understand by חשׁמנים, the resplendent, most distinguished ones, perillustres. The dignitaries of Egypt come to give glory to the God of Israel, and Aethiopia, disheartened by fear before Jahve (cf. Hab 3:7), causes his hands to run to Elohim, i.e., hastens to stretch them out. Thus it is interpreted by most expositors. But if it is ידיו, why is it not also יריץ? We reply, the Hebrew style, even in connection with words that stand close beside one another, does not seek to avoid either the enallage generis (e.g., Job 39:3, Job 39:16), or the enall. numeri (e.g., Psa 62:5). But \"to cause the hands to run\" is a far-fetched and easily misunderstood figure. We may avoid it, if, with Bttcher and Olshausen, we disregard the accentuation and interpret thus, \"Cush - his hands cause to hasten, i.e., bring on in haste (Sa1 17:17; Ch2 35:13), to Elohim,\" viz., propitiating gifts; תּריץ being the predicate to ידיו, according to Ges. 146, 3.\nPsa 68:32-34\nThe poet stands so completely in the midst of this glory of the end, that soaring onwards in faith over all the kingdoms of the world, he calls upon them to render praise to the God of Israel. לרכב attaches itself to the dominating notion of שׁירוּ in Psa 68:33. The heavens of heavens (Deu 10:14) are by קדם described as primeval (perhaps, following the order of their coming into existence, as extending back beyond the heavens that belong to our globe, of the second and fourth day of Creation). God is said to ride along in the primeval heavens of the heavens (Deu 33:26), when by means of the cherub (Psa 18:11) He extends His operations to all parts of these infinite distances and heights. The epithet \"who rideth along in the heavens of heavens of the first beginning\" denotes the exalted majesty of the superterrestrial One, who on account of His immanency in history is called \"He who rideth along through the steppes\" (רכב בּערבות, Psa 68:5). In יתּן בּקולו we have a repetition of the thought expressed above in Psa 68:12 by יתּן אמר; what is intended is God's voice of power, which thunders down everything that contends against Him. Since in the expression נתן בּקול (Psa 46:7; Jer 12:8) the voice, according to Ges. 138, rem. 3, note, is conceived of as the medium of the giving, i.e., of the giving forth from one's self, of the making one's self heard, we must take קול עז not as the object (as in the Latin phrase sonitum dare), but as an apposition: \n(Note: The accentuation does not decide; it admits of our taking it in both ways. Cf. Psa 14:5; Psa 41:2; Psa 58:7; Psa 68:28; Pro 13:22; Pro 27:1.)\nbehold, He maketh Himself heard with His voice, a powerful voice. Thus let them then give God עז, i.e., render back to Him in praise that acknowledges His omnipotence, the omnipotence which He hath, and of which He gives abundant proof. His glory (גּאוה) rules over Israel, more particularly as its guard and defence; His power (עז), however, embraces all created things, not the earth merely, but also the loftiest regions of the sky. The kingdom of grace reveals the majesty and glory of His redemptive work (cf. Eph 1:6), the kingdom of nature the universal dominion of His omnipotence. To this call to the kingdoms of the earth they respond in v. 36: \"Awful is Elohim out of thy sanctuaries.\" The words are addressed to Israel, consequently מקדּשׁים is not the heavenly and earthly sanctuary (Hitzig), but the one sanctuary in Jerusalem (Ezek. 21:72) in the manifold character of its holy places (Jer 51:51, cf. Amo 7:9). Commanding reverence - such is the confession of the Gentile world - doth Elohim rule from thy most holy places, O Israel, the God who hath chosen thee as His mediatorial people. The second part of the confession runs: the God of Israel giveth power and abundant strength to the people, viz., whose God He is, equivalent to לעמּו, Psa 29:11. Israel's might in the omnipotence of God it is which the Gentile world has experienced, and from which it has deduced the universal fact of experience, v. 36b. All peoples with their gods succumb at last to Israel and its God. This confession of the Gentile world closes with בּרוּך אלהים (which is preceded by Mugrash transformed out of Athnach). That which the psalmist said in the name of Israel in Psa 68:20, \"Blessed be the Lord,\" now re-echoes from all the world, \"Blessed be Elohim.\" The world is overcome by the church of Jahve, and that not merely in outward form, but spiritually. The taking up of all the kingdoms of the world into the kingdom of God, this the great theme of the Apocalypse, is also after all the theme of this Psalm. The first half closed with Jahve's triumphant ascension, the second closes with the results of His victory and triumph, which embrace the world of peoples. \n"]}]},"thisChapterLink":"/api/c/keil-delitzsch/PSA/68.json","thisChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":68},"nextChapterApiLink":"/api/c/keil-delitzsch/PSA/69.json","nextChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":69},"previousChapterApiLink":"/api/c/keil-delitzsch/PSA/67.json","previousChapterReference":{"commentaryId":"keil-delitzsch","book":"PSA","chapter":67},"numberOfVerses":6}