{"commentary":{"id":"jamieson-fausset-brown","name":"Jamieson-Fausset-Brown Bible Commentary","website":"https://en.wikipedia.org/wiki/Jamieson-Fausset-Brown_Bible_Commentary","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","licenseNotes":null,"licenseNotice":null,"englishName":"Jamieson-Fausset-Brown Bible Commentary","language":"eng","textDirection":"rtl","sha256":"db3d4c8b3c1f32ef9d1430a57392e02bda3a17aac1f9bbe398461de021a3cb13","availableFormats":["json"],"listOfBooksApiLink":"/api/c/jamieson-fausset-brown/books.json","listOfProfilesApiLink":"/api/c/jamieson-fausset-brown/profiles.json","numberOfBooks":66,"totalNumberOfChapters":1187,"totalNumberOfVerses":17056,"totalNumberOfProfiles":0,"languageName":"English","languageEnglishName":"English"},"book":{"id":"PSA","commentaryId":"jamieson-fausset-brown","name":"Psalms","commonName":"Psalms","introduction":"The Hebrew title of this book is Tehilim (\"praises\" or \"hymns\"), for a leading feature in its contents is praise, though the word occurs in the title of only one Psalm (the hundred forty-fifth). The Greek title (in the Septuagint, a translation made two hundred years before Christ) is psalmoi, whence our word \"Psalms.\" This corresponds to the Hebrew word mizmoi by which sixty-five Psalms are designated in their inscriptions, and which the Syriac, a language like the Hebrew, uses for the whole book. It means, as does also the Greek name, an ode, or song, whose singing is accompanied by an instrument, particularly the harp (compare Ch1 16:4-8; Ch2 5:12-13). To some Psalms, the Hebrew word (shir) \"a song,\" is prefixed. Paul seems to allude to all these terms in Eph 5:19, \"singing . . . in psalms, hymns, and spiritual songs.\"\n\nTITLES.--To more than a hundred Psalms are prefixed inscriptions, which give one or more (and in one case, [Psalm 60], all) of these particulars: the direction to the musician, the name of the author or the instrument, the style of the music or of the poetry, the subject or occasion. The authority of these inscriptions has been disputed by some writers. They say that the earliest translators, as the Greek and Syriac, evince a disregard for their authority, by variations from a proper translation of some, altering others, and, in several instances, supplying titles to Psalms which, in Hebrew, had none. It is also alleged that the subject of a Psalm, as given in the title, is often inconsistent with its contents. But those translators have also varied from a right translation of many passages in the Bible, which all agree to be of good authority; and the alleged inconsistency may be shown, on more accurate investigation, not to exist. The admitted antiquity of these inscriptions, on the other hand, and even their obscurity, raise a presumption in their favor, while such prefaces to a composition accord with the usages of that age and part of the world (compare Isa 38:9).\n\n\"The Chief Musician\" was the superintendent of the music (compare \"to oversee,\" Ch1 15:21, Margin). \"To\" prefixed to this, means, \"pertaining to\" in his official character. This inscription is found in fifty-three Psalms and is attached to Habakkuk's prayer (Hab. 3:1-19). The same Hebrew preposition is prefixed to the name of the author and translated \"of,\" as \"a Psalm of David,\" \"of Asaph,\" except that to \"the sons of Korah,\" it is translated \"for,\" which is evidently wrong, as the usual direction, \"to the chief musician,\" is given, and no other authorship intimated. On the apparent exception to this last remark, see below, and see on Psa 88:1, title. The explanations of other particulars in the titles will be given as they occur.\n\nAUTHORS.--This book is often called \"The Psalms of David,\" he being the only author mentioned in the New Testament (Luk 20:42) and his name appearing in more titles than that of any other writer. Besides about one-half of the Psalms in which it thus appears, Psalms 2 and 95 are ascribed to him (Act 4:25 and Heb 4:7). He was probably the author of many others which appear without a name. He used great efforts to beautify the worship of the sanctuary. Among the two hundred eighty-eight Levites he appointed for singing and performing instrumental music, we find mentioned the \"sons of Korah\" (Ch1 9:19); including Heman (Ch1 6:33-38); and also Asaph (Ch1 6:39-44); and Ethan (Ch1 15:17-19). God was doubtless pleased to endow these men with the inspiration of His Spirit, so that they used those poetic talents which their connection with the kindred art of music had led them to cultivate, in the production of compositions like those of their king and patron. To Asaph are ascribed twelve Psalms; to the sons of Korah, eleven, including the eighty-eighth, which is also ascribed to Heman, that being the only instance in which the name of the \"son\" (or descendant) is mentioned; and to Ethan, one. Solomon's name appears before the seventy-second and hundred twenty-seventh; and that of Moses before the ninetieth. Special questions respecting authorship will be explained as they arise.\n\nCONTENTS.--As the book contains one hundred fifty independent compositions, it is not susceptible of any logical analysis. The Jews having divided it into five books, corresponding to the Five Books of Moses (First, Psalms 1-42; Second, Psalms 43-72; Third, Psalms 73-89; Fourth, Psalms 90-106; Fifth, Psalms 107-150), many attempts have been made to discover, in this division, some critical or practical value, but in vain. Sundry efforts have been made to classify the Psalms by subject. Angus' Bible Hand Book is perhaps the most useful, and is appended.\n\nStill the Psalms have a form and character peculiar to themselves; and with individual diversities of style and subject, they all assimilate to that form, and together constitute a consistent system of moral truth. They are all poetical, and of that peculiar parallelism (see Introduction to the Poetical Books,) which distinguished Hebrew poetry. They are all lyrical, or songs adapted to musical instruments, and all religious lyrics, or such as were designed to be used in the sanctuary worship.\n\nThe distinguishing feature of the Psalms is their devotional character. Whether their matter be didactic, historical, prophetical, or practical, it is made the ground or subject of prayer, or praise, or both. The doctrines of theology and precepts of pure morality are here inculcated. God's nature, attributes, perfections, and works of creation, providence, and grace, are unfolded. In the sublimest conceptions of the most exalted verse, His glorious supremacy over the principalities of heaven, earth, and hell, and His holy, wise, and powerful control of all material and immaterial agencies, are celebrated. The great covenant of grace resting on the fundamental promise of a Redeemer, both alike the provisions of God's exhaustless mercy, is set forth in respect of the doctrines of regeneration by the Spirit, forgiveness of sins, repentance toward God, and faith toward Jesus Christ, while its glorious results, involving the salvation of men \"from the ends of the earth\" [Act 13:47], are proclaimed in believing, prophetic prayer and thankful praise. The personal history of the authors, and especially David's in its spiritual aspects, is that of God's people generally. Christian biography is edifying only as it is truth illustrated in experience, such as God's Word and Spirit produce. It may be factitious in origin and of doubtful authenticity. But here the experience of the truly pious is detailed, under divine influence, and \"in words which the Holy Ghost\" taught [Co1 2:13]. The whole inner life of the pious man is laid open, and Christians of all ages have here the temptations, conflicts, perplexities, doubts, fears, penitent moanings, and overwhelming griefs on the one hand, and the joy and hope of pardoning mercy, the victory over the seductions of false-hearted flatterers, and deliverance from the power of Satan on the other, with which to compare their own spiritual exercises. Here, too, are the fruits of that sovereign mercy, so often sought in earnest prayer, and when found, so often sung in rapturous joy, exhibited by patience in adversity, moderation in prosperity, zeal for God's glory, love for man, justice to the oppressed, holy contempt for the proud, magnanimity towards enemies, faithfulness towards friends, delight in the prosperity of Zion, and believing prayer for her enlargement and perpetuity.\n\nThe historical summaries of the Psalms are richly instructive. God's choice of the patriarchs, the sufferings of the Israelites in Egypt, their exodus, temptations of God, rebellions and calamities in the wilderness, settlement in Canaan, backslidings and reformations, furnish illustrations of God's providential government of His people, individually and collectively, tending to exalt His adorable grace and abase human pride. But the promises and prophecies connected with these summaries, and elsewhere presented in the Psalms, have a far wider reach, exhibiting the relations of the book to the great theme of promise and prophecy:\n\nTHE MESSIAH AND HIS KINGDOM.--David was God's chosen servant to rule His people, as the head at once of the State and the Church, the lineal ancestor, \"according to the flesh\" [Act 2:30; Rom 1:3], of His adorable Son, and His type, in His official relations, both in suffering and in triumph. Generally, David's trials by the ungodly depicted the trials of Christ, and his final success the success of Christ's kingdom. Typically, he uses language describing his feelings, which only finds its full meaning in the feelings of Christ. As such it is quoted and applied in the New Testament. And further, in view of the great promise (Sa2 7:12-16) to him and his seed, to which such frequent reference is made in the Psalms, David was inspired to know, that though his earthly kingdom should perish, his spiritual would ever endure, in the power, beneficence, and glory of Christ's. In repeating and amplifying that promise, he speaks not only as a type, but \"being a prophet, and knowing that God had sworn with an oath to him, that of the fruit of his loins, according to the flesh, he would raise up Christ to sit on his throne,\" he \"foretold the sufferings of Christ and the glory that should follow. His incarnation, humiliating sorrows, persecution, and cruel death are disclosed in the plaintive cries of a despairing sufferer; and His resurrection and ascension, His eternal priesthood, His royal dignity, His prophetical office, the purchase and bestowal of the gifts of the Spirit, the conversion of the nations, the establishment, increase, and perpetuity of the Church, the end of time, and the blessedness of the righteous who acknowledge, and the ruin of the wicked who reject this King in Zion, are predicted in the language of assured confidence and joy.\" While these great themes have supplied the people of God with a popular theology and a guide in religious experience and Christian morality, clothed in the language of devotion, they have provided an inspired liturgy in which the pious, of all creeds and sects, have, for nearly three thousand years, poured out their prayers and praises. The pious Jew, before the coming of Christ, mourned over the adversity, or celebrated the future glories, of Zion, in the words of her ancient king. Our Saviour, with His disciples, sang one of these hymns on the night on which He was betrayed [Mat 26:30]; He took from one the words in which He uttered the dreadful sorrows of His soul [Mat 27:46], and died with those of another on His lips [Luk 23:46]. Paul and Silas in the dungeon [Act 16:25], primitive Christians in their covert places of worship, or the costly churches of a later day, and the scattered and feeble Christian flocks in the prevalence of darkness and error through the Middle Ages, fed their faith and warmed their love with these consoling songs. Now, throughout the Christian world, in untold forms of version, paraphrase, and imitation, by Papists and Protestants, Prelatists and Presbyterians, Independents, Baptists, Methodists--men of all lands and all creeds, in public and private worship, God is still adored in the sentiments expressed in these venerable Psalms. From the tone of sorrow and suffering which pervade their earlier portions we are gradually borne on amid alternate conflicts and triumphs, mournful complaints and awakening confidence; as we approach the close the tones of sorrow grow feebler, and those of praise wax louder and stronger--till, in the exulting strains of the last Psalm, the chorus of earth mingles with the hallelujahs of the multitude, which no man can number, in the sanctuary above. \n\n\n\nNext: Psalms Chapter 1\n\n","order":19,"numberOfChapters":149,"sha256":"bce573c5d547438781f40f59aab598ce89543e427dcc5c370e3d07d4ea20b442","firstChapterNumber":1,"firstChapterApiLink":"/api/c/jamieson-fausset-brown/PSA/1.json","firstChapterReference":{"commentaryId":"jamieson-fausset-brown","book":"PSA","chapter":1},"lastChapterNumber":150,"lastChapterApiLink":"/api/c/jamieson-fausset-brown/PSA/150.json","lastChapterReference":{"commentaryId":"jamieson-fausset-brown","book":"PSA","chapter":150},"totalNumberOfVerses":799},"chapter":{"number":2,"content":[{"type":"verse","number":2,"content":["The kings and rulers lead on their subjects. \n\nset themselves--take a stand. \n\ntake counsel--literally, \"sit together,\" denoting their deliberation. \n\nanointed--Hebrew, \"Messiah\"; Greek, \"Christ\" (Joh 1:41). Anointing, as an emblem of the gifts of the Holy Spirit, was conferred on prophets (Isa 6:1); priests (Exo 30:30); and kings (Sa1 10:1; Sa1 16:13; Kg1 1:39). Hence this title well suited Him who holds all these offices, and was generally used by the Jews before His coming, to denote Him (Dan 9:26). While the prophet has in view men's opposition generally, he here depicts it in its culminating aspect as seen in the events of Christ's great trial. Pilate and Herod, and the rulers of the Jews (Mat 27:1; Luke 23:1-25), with the furious mob, are vividly portrayed.\n\n"]},{"type":"verse","number":3,"content":["The rebellious purposes of men are more distinctly announced by this representation of their avowal in words, as well as actions. \n\nbands . . . and . . . cords--denote the restraints of government.\n\n"]},{"type":"verse","number":4,"content":["By a figure whose boldness is only allowable to an inspired writer, God's conduct and language in view of this opposition are now related. \n\nHe that sitteth in the heavens--enthroned in quiet dignities (compare Psa 29:10; Isa 40:22). \n\nshall laugh--in supreme contempt; their vain rage excites His derision. He is still the Lord, literally, \"Sovereign,\" though they rebel.\n\n"]},{"type":"verse","number":5,"content":["Then shall he speak--His righteous indignation as well as contempt is roused. For God to speak is for Him to act, for what He resolves He will do (Gen 1:3; Psa 33:9). \n\nvex them--agitate or terrify them (Psa 83:15).\n\n"]},{"type":"verse","number":6,"content":["The purpose here declared, in its execution, involves their overthrow. \n\nYet--literally, \"and,\" in an adversative sense. \n\nI have set--anointed, or firmly placed, with allusion in the Hebrew to \"casting an image in a mould.\" The sense is not materially varied in either case. \n\nmy king--appointed by Me and for Me (Num 27:18). \n\nupon my holy hill of Zion--Zion, selected by David as the abode of the ark and the seat of God's visible residence (Kg1 8:1); as also David, the head of the Church and nation, and type of Christ, was called holy, and the Church itself came to be thus named (Psa 9:11; Psa 51:18; Psa 99:2; Isa 8:18; Isa 18:7, &c.).\n\n"]},{"type":"verse","number":7,"content":["The king thus constituted declares the fundamental law of His kingdom, in the avowal of His Sonship, a relation involving His universal dominion. \n\nthis day have I begotten thee--as Sa2 7:14, \"he shall be My son,\" is a solemn recognition of this relation. The interpretation of this passage to describe the inauguration of Christ as Mediatorial King, by no means impugns the Eternal Sonship of His divine nature. In Act 13:33, Paul's quotation does not imply an application of this passage to the resurrection; for \"raised up\" in Act 13:32 is used as in Act 2:30; Act 3:22, &c., to denote bringing Him into being as a man; and not that of resurrection, which it has only when, as in Act 2:34, allusion is made to His death (Rom 1:4). That passage says He was declared as to His divine nature to be the Son of God, by the resurrection, and only teaches that that event manifested a truth already existing. A similar recognition of His Sonship is introduced in Heb 5:5, by these ends, and by others in Mat 3:17; Mat 17:5.\n\n"]},{"type":"verse","number":8,"content":["The hopes of the rebels are thus overthrown, and not only so; the kingdom they opposed is destined to be coextensive with the earth. \n\nheathen--or, \"nations\" (Psa 2:1). \n\nand the uttermost parts of the earth-- (Psa 22:27); denotes universality.\n\n"]},{"type":"verse","number":9,"content":["His enemies shall be subject to His terrible power (Job 4:9; Th2 2:8), as His people to His grace (Psa 110:2-3). \n\nrod of iron--denotes severity (Rev 2:27). \n\na potter's vessel--when shivered cannot be mended, which will describe utter destruction.\n\n"]},{"type":"verse","number":10,"content":["kings . . . judges--For rulers generally (Psa 148:11), who have been leaders in rebellion, should be examples of penitent submission, and with fear for His terrible judgments, mingled with trust in His mercy, acknowledge--\n\n"]},{"type":"verse","number":12,"content":["Kiss the Son--the authority of the Son. \n\nperish from the way--that is, suddenly and hopelessly. \n\nkindled but a little--or, \"in a little time.\" \n\nput their trust in him--or take refuge in Him (Psa 5:11). Men still cherish opposition to Christ in their hearts and evince it in their lives. Their ruin, without such trust, is inevitable (Heb 10:29), while their happiness in His favor is equally sure.\n\n\n\n\nNext: Psalms Chapter 3\n\n"]}],"introduction":"The number and authorship of this Psalm are stated (Act 4:25; Act 13:33). Though the warlike events of David's reign may have suggested its imagery, the scenes depicted and the subjects presented can only find a fulfilment in the history and character of Jesus Christ, to which, as above cited and in Heb 1:5; Heb 5:5, the New Testament writers most distinctly testify. In a most animated and highly poetical style, the writer, in \"four stanzas of three verses each,\" sets forth the inveterate and furious, though futile, hostility of men to God and His anointed, God's determination to carry out His purpose, that purpose as stated more fully by His Son, the establishment of the Mediatorial kingdom, and the imminent danger of all who resist, as well as the blessing of all who welcome this mighty and triumphant king. (Psa 2:1-12)\n\nWhy do the heathen, &c.--Beholding, in prophetic vision, the peoples and nations, as if in a tumultuous assembly, raging with a fury like the raging of the sea, designing to resist God's government, the writer breaks forth into an exclamation in which are mingled surprise at their folly, and indignation at their rebellion. \n\nheathen--nations generally, not as opposed to Jews. \n\nthe people--or, literally, \"peoples,\" or races of men.\n\n"},"thisChapterLink":"/api/c/jamieson-fausset-brown/PSA/2.json","thisChapterReference":{"commentaryId":"jamieson-fausset-brown","book":"PSA","chapter":2},"nextChapterApiLink":"/api/c/jamieson-fausset-brown/PSA/3.json","nextChapterReference":{"commentaryId":"jamieson-fausset-brown","book":"PSA","chapter":3},"previousChapterApiLink":"/api/c/jamieson-fausset-brown/PSA/1.json","previousChapterReference":{"commentaryId":"jamieson-fausset-brown","book":"PSA","chapter":1},"numberOfVerses":10}